John Thackary
Like a Hitchcock thriller with smart devices Even an agoraphobe can’t be alone

a review of

Kimi, Dir: Steven Soderbergh, 2022

Director Steven Soderbergh is well-known for both prolific output (an astounding 47 films and counting) and speed of production (roughly a movie a year over the past decade). Yet his work’s quality seems not to suffer from such a pace.

On the contrary, something about its fleetness belies a fascinating realism of the outlandish. Fittingly, in Soderbergh’s latest, his third collaboration with the streaming arm of HBO, a film simply titled Kimi, a villain’s posture bumbles unceremoniously. A tech millionaire conducts a Zoom interview in his garage before a pitiable, fake bookshelf background. The manner in which these characters are painted, all through edits and camera framings, bleeds with an obscure intentionality. Form as function.

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