Olchar E. Lindsann

In the musical Rent, the archetypal hip, Lower East Side New York Bohemian protagonists call their landlord “the enemy of Avenue A” when he enters their chosen coffee shop, in the song “La Vie Bohême.” The title recalls that of the Puccini opera, La Bohême, on which Rent is based.

This in turn was based on stories published by the French writer Henry Murger in 1851, that established the archetype of the urban, artistic, liberal Bohemian that still prevails in gentrifying areas throughout today’s world.

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a review of

Invisible Generation: Rants, Polemics, and Critical Theory Against the Planetary Work Machine by Jason Rodgers. Autonomedia, 2021

For many years, Jason Rodgers has been a motivating presence in a startlingly large number of anarchist zine projects and communities, including frequently in this magazine. Her work has been published in a great many collective contexts, but always singly and hard to find. In Invisible Generation, her diverse body of critical writing has finally been brought together.

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a review of

Champavert: Immoral Tales by Petrus Borel, trans. Brian Stableford. Borga Press, 2013 WildsidePess.com

The long-forgotten radical novel, Champavert, is the only full-length book available in English by Petrus Borel. The anti-authoritarian poet was known in 19^th century French underground circles as “The Lycanthrope” (Wolfman), and was central to the creation of the cultural avant-garde as both an idea and a functioning community in that era.

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On May 16, 1871, one of the most famous monuments in Europe, the Vendôme Column celebrating Napoleon’s imperial regime, was toppled to the cheers of thousands. It was one of the largest public ceremonies of the short-lived Paris Commune, where revolutionaries controlled the city, establishing a free and egalitarian society that lasted a little over two months until suppressed by force.

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