Reg Johanson

In The Figure of the Migrant, Thomas Nail asserts that “the twenty-first century will be the century of the migrant,” and the first years of the new century give ample evidence of this. From September to December 2015, events seemed to daily add themselves to the curriculum of the English course I was teaching on the literature, film, and visual art of migration, detention, and the camp, at Capilano University in North Vancouver BC, Coast Salish territory.

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