Shirley Hamburg
The Cinephile

In adapting a bulky, densely detailed novel of seven volumes, Mai Zetterling has extricated the following schema in her movie, “Loving Couples:” her three women have in common a place and a time of arrival, the hospital, set immediately at the beginning of the film; a starting time, childhood; a central time and place, the chateau and the longest night, Midsummer. This schema orders and disorders brilliantly the destiny of the three lives in which childhoods, love affairs, childbearings correspond to one another.

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