Tad Zatlyn

There is a rumor going around, a rumor of great tremors. Last week Chief Reddin called in the National Guard, set up an emergency morgue in the Pan Pacific, and declared L.A. a disaster area. You may already have heard: earthquakes are expected this summer, perhaps even this month.

California is going to break away from the continent and drop off into the Pacific Ocean.

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In THE 400 BLOWS, recent feature at the Varsity Theater, Francois Truffaut telescopes in on one small but very human subject, picking up the story almost at the height of its conflict, rather than methodically building up to it, which might very well have been the “soundest” way to attack the story. Free of the conventional straight jacket of getting in the proper exposition at the proper time, and also acting this exposition out, he is able to give us a greater human close-up. It is as if he were applying a zoom lens to the entire script. And at the final scene, which is the height of the close up, he frames on the face of the boy. Nothing is really resolved--as in life things seldom are.

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