The Spike-Drivers
Tracks

A good voice and a standard arrangement just are not enough for today’s ears. Within that thought lies a lot of truth and a lot of music conforms to just that formula.

Creativity: if the record medium is to mean anything in that light, then the effort, big E, has to be there from the outset. To wit: Joan Baez’s latest cuts on Vanguard are what some would call competent, but to me they just sound lazy and uninspired. Joan’s ventures into the rock idiom, even if you called them interpretations, are almost funny due to their lack of fortitude or GUTS!

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The Spike-Drivers
Tracks

Under this seemingly innocuous heading we initiate what we think is the first joint effort music column in literary annals.

The Fifth Estate’s heroic radical stance required something more than a bland record review column and this added something is what we hope to accomplish. The format and topics of each column will constantly change as the mood strikes us. So in the words of Jim Gurley, of Big Brother and the Holding Company, “Watch Out!”

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The Spike-Drivers
Tracks A column

Sept. 25, 1967

Dear Fifth Estaters,

The Spike-Drivers almost became America’s first folk martyrs while doing an innocent gig in Burlington, Vt. The club manager freaked out and demanded we stop playing this “Psydillik” music, because it irritated a few of his beer-swilling regulars. He craved our last year’s soft pap rock sound. When we told him it was impossible to go backwards, he plied the local gorilla movement with free beer to get them to harass us and goad us into quitting the gig so he wouldn’t have to pay us.

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