Fifth Estate 21, January 1-15, 1967 Add to the Bookbuilder

The Court Theatre has announced the cancellation of its scheduled production of Marat / Sade due to its revival in New York.

As an alternate the Court will present the Detroit premiere of Joan Little-wood’s London hit, “Oh, What A Lovely War.” Subtitled “A Musical Entertainment” the play is often referred to as a music-hall show. Songs and dances of the World War I era are interwoven with actual stories and news events of the War.

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Anti-war forces in Detroit are preparing to respond to a call for a national mobilization called at a meeting last month of anti-war groups.

The meeting, held in Cleveland Nov. 26 to evaluate the recent Nov. 5–8 Mobilization for Peace in Vietnam, for Economic Justice and for Human Rights, mapped plans for continuing and enlarging anti-war activities and established a Spring Mobilization Committee to End the War in Vietnam.

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“It is a general policy to expect that teachers will maintain discipline by means other than the use of corporal punishment.”

—Detroit Public Schools TEACHERS’ BULLETIN

“The Detroit Board of Education policy limited the use of corporal punishment is in reality one big fiction.”

This is what one irate Detroit substitute teacher said after witnessing two instances of excessive brutality against elementary school students during one afternoon.

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Translated by Bernardo Bova and Peggy Edmonds

“God sent to earth an animal to tell men that they are immortal, and the animal, either through stupidity or forgetfulness, told them that they must die.”

—St. Augustine

We need a third sex to touch the ecstatic culture. The Europe of 1966 is still sterilized by war, its seminal reservoirs dried up by fascism and the search for an ecstatic culture is its first possibility of refinding its fertility.

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As a follow-up to the Nov. 8 elections in Alabama, and as a result of black people voting in those elections for the first time in their lives, the white landowners are retaliating by evicting large numbers of black farm workers from their land.

In Greene County, the Greene County Freedom Organization reports that there have been a series of evictions, resulting in 70 families being evicted from the land which has been their home for years.

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A new year coming up, the end of one era and the move into a new one. 1967. The year that will make history begin again, with some relevance to our lives. What we are. I mean I can feel it in the air, the vibrations are so strong now and when they are united it will be truly beautiful. Believe me. Believe yourselves. Believe in what you feel.

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The chief spokesman for the “independent or underground film-makers” in this country is Jonas Mekas.

He resides in New York where he edits an anti-intellectual (anti-art?) rather ethereal, often pretentious magazine, FILM CULTURE.

“As long as the ‘lucidly minded’ critics will stay out with their ‘form,’ ‘content,’ ‘art,’ ‘structure, ‘ ‘clarity,’ ‘importance,’—everything will be all right, just keep them out.

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Two records which have reached the top spot in the charts recently are the Beachboys’ GOOD VIBRATIONS and the Monkeys’ I’M A BELIEVER.

GOOD VIBRATIONS is a very interesting single due to an excellent and intricate arrangement of music and vocal parts; and the Monkeys come across with a rather nice, early Beatleish simple, clean sound. Both songs are listenable, but on both 45s, featured performers do not play most of the instruments.

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“Georgy Girl” suffers from the Americanization of Europe. Mediocre photography, a pasty storyline and a camera which adds next to nothing to the telling of the story combine to cook up a movie as flat as a tortilla.

Perhaps Margaret Forster’s milky book is to blame. Basically we are confronted with a flabby, hopelessly homely adoptee who, within the scope of her own unreal world manages to rearrange the lives of her roommate, her roommate’s mate and her benefactor-step-father. As is the American custom, all unreal situations continue through equally unreal conclusions and everyone is left just as they should be. No one has really arrived anywhere.

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In March of 1966 Michigan Bell Telephone sent the following notice to its customers:

“Your telephone bill reflects an increase in the federal excise tax on local and long distance telephone and teletypewriter services.

“The increase is a result of the Tax Adjustment Act of 1966, enacted to help meet the country’s need for additional revenues during the Viet Nam emergency.

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The Fort Hood Three Defense Committee announced that civil liberties attorneys Stanley Faulkner and Selma Samols went before the U.S. Court of Appeals for the District of Columbia, Dec. 13, to argue once again, in the case of Pvt. Robert Luftig vs. Defense Secretary Robert McNamara and Army Secretary Stanley Resor, the illegality of the war in Vietnam.

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Why the critics?

That is a question I get asked fairly frequently, by friends and correspondents who want to know why I expend so much energy on this particular aspect of the jazz Establishment.

The answer is really quite simple. My point of departure is to analyze what services the jazz critic might be performing for the music (which means for the musicians and their audience). I then compare this with the actual accomplishments of the critics. Since the balance thus struck is so wholly unfavorable to the major critical figures—Leonard Feather, Martin Williams, Dan Morgenstern, Michael Zwerin and the entire editorial staff of DOWN BEAT—I conclude that it is my duty to the jazz community to expose (a good 1930s leftist word) their failings, to prevent them from leading their readers even further astray.

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Citizens for Peace in Vietnam, an organization of Detroit area residents opposed to U.S. involvement in Vietnam, was re-activated recently with the holding of its first general ‘meeting since last March.

“There has been a widespread demand for the re-convening of CPV,” stated a committee spokesman, “and the administration’s continued escalation leaves us no moral alternative but to reaffirm our condemnation of the nature and the fact of America’s participation in this war.”

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The first meeting of the Detroit Chapter of Lemar (Legalize Marijuana) met at the Artist’s Workshop Dec. 19^th, and had a good turn out in spite of a heavy snow.

The purpose of the group is to: 1. Disseminate information concerning marijuana (factual studies as opposed to the bullshit printed in the major daily papers), 2. Gather together people in the Detroit area who are interested in seeing marijuana legalized, 3. Help end or reduce feelings of isolation and paranoia by functioning as an organized group.

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Detroit’s own Spike-Drivers are back in town and appearing at the Living End on John C. Lodge after being in New York to cut their newly released record and performing at the uptown discotheques. I was eager to hear what changes the group had made, if any, while in New York. There have been changes and unquestionably they are improvements. Fear not! The Spike-Driver sound is intact but has been enhanced by a tighter performance and the addition of more original tunes by the group as well as some very groovie arrangements of rock and folk classics.

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Your article called “The Jazz Scene in America” [http://[FE #18, November 15–30, 1966[FE #18, November 15–30, 1966]]] was three columns of misinformation.

For your information, of which you need much, there has not been a succession of saxophone players in my band since Joe Maini died. There has only been one other than Frank Strozier, who is in the band now, and that was Charlie Kennedy, a starving jazz musician and the father of six children. I didn’t look to see what color he was. I listened, something I gather that you never do. Many musicians felt Charlie had enough OBVIOUS talent to be a great alto player if given a chance.

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EDITOR’S NOTE; Timothy Leary, high priest of consciousness expansion, spoke in East Lansing Nov. 17^th. His talk was covered in our last issue by Michael Kindman, editor of THE PAPER, a sister Underground Press Syndicate publication [see Kill, Leary, Kill, FE # 20, December 15–31, 1966]. The following was written after Kindman and several others interviewed Leary after his speech to a Michigan State University audience.

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In a war, no nation loses: the Nation of Man is lost.

In Viet Nam, the unwilling penitents who bear the brunt of that nation’s suffering are those who know least of any suffering but their own.

These unfortunates are the children who, burned horribly by napalm, tossed to chance care by the death of parents, and maimed in a thousand ways, are suffering the fate of Viet Nam in their small bodies.

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