Art Johnston
Berkeley (2) Special to the Fifth Estate

BERKELEY—This is Wednesday, May 21. A week ago I pulled into the city in the pre-dawn hours on the back of a fifty-two Chevy farm truck laden with contraband oranges, avocadoes, artichokes. We were on our way home from our outlaw camp in the Baja, Mexico.

As we hauled up Highway One, watching the surf pound against the rocks below our -brothers were being routed with clubs and cyclone fence from the People’s Park in Berkeley.

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Art Johnston
Berkeley USA, 1969

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Part of the Memorial Day march of 50,000 to demand the return of the People’s Park. The Berkeley City Council has agreed to give half of it back. Photo / Annie Kransdorf

The thunder of the drums is building. By now, under the full Sagitarius moon, they are wailing with sticks, rocks, beer cans, shovels, and bloody fists at trash cans, wash tubs, concrete and steel grates, their bodies writhing—Strip Naked and Faint!—hugging the flesh of every dirty wet pores open brother and hard-nipples sister in the explosive joy that we have finally overcome their separation, kossack-kicking and whooping around the campfires of Insurrection City.

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Art Johnston
MC-5 in San Francisco

Special to the Fifth Estate!

SAN FRANCISCO—The MC5 have blasted their way out of the grease pits of FoMoCo city, resolved their feud with the Motherfuckers of New York’s lower east side, and wound up in the San Francisco jailhouse after a near street fight with a squad of TACs.

In the early hours of March 18 the Five were rolling along San Francisco’s Bayshore Freeway in a borrowed station wagon with eleven other friends of the Berkeley White Panthers, doin’ their usual thing, when the forces of Legitimate Violence tried to run them off the skyway.

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Art Johnston
Protest at WSU

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Photo by Richard Stocker

At a carnival, when disruption strikes, the call for help goes out: “Hey Rube!” The call went out at Wayne State, last Friday, April 26, as it did across the world, as students on all continents boycotted classes and staged demonstrations in opposition to U.S. imperialism.

In Detroit, the Wayne Administration put out the call—HEY RUBE! and the campus was soon engulfed by carloads of full-decked Tactical Mobile Units, a half dozen members of the cavalry, a platoon of cops, and twenty six miles of metaphoric barb-wire; called out to quell the carnival. Boy, was it a riot.

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Art Johnston
Roger Calkins Please come home

Editors’ Note: Art Johnston is the former editor of the South End newspaper and disappeared into the West after his term of office ended last June.

SAN FRANCISCO—Journalism as novel. History as novelty. History as fiction. Our lives as fiction. Everybody else’s life as a movie. The Last Great Days of The State of California as tomorrow’s news today. The Decline and Fall of Western Civilization as a two-part Book of the Month Club Introductory Offer. An anecdote:

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Art Johnston
SF Panthers Attacked!

[two_third padding=“0 30px 0 0”]Special to the Fifth Estate

SAN FRANCISCO—With Thompson submachine-guns blazing, 160 armed cops moved in on the Fillmore District Monday afternoon, April 28, to quiet a Black Panther loudspeaker.

Sixteen persons were arrested in a bust which resulted from a police complaint that a Panther loudspeaker was insulting the pigs. A number of guns were seized (and have not been released), including two double barreled shotguns, a.45 automatic, a .22 caliber rifle, an M-14, and assorted ammo.

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Art Johnston
Subterranean Homesick News

The Hill was run by lanky Louie, an ex outrider with the Highwaymen. “The Grand Dude,” as they called him now is sort of manager of a couple scraggly rock and roll bands that lived on and around The Hill. There was the Sun, but most notably, perhaps, were the Tate brothers, Terry and Hawg, who form the nucleus of the Tate Blues Band.

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Art Johnston
Theory of Hip Part Two

I concluded last issue by saying that, whereas in previous ages, nonconformists were able to “escape” society by taking refuge in an agrarian life, etc.; nonconformists in the interdependent society cannot escape. They can only rebel. And their rebellion demonstrates the absolute contradiction between the Social System and the Human Id (as a symbol of human freedom and satisfaction).

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Art Johnston
What have you got?

SAN FRANCISCO—“Naked Angels” is the best movie I’ve ever seen. I’ve seen “2001” four times, and I thought that was better than “Wild Angels” which I saw only 3 times.

A new genre of films is being born from the low-count B-movie trade: Motorcycle flicks. They are destined to become as classic as Westerns—only Westerns were legends and dealt with the projected past. Motorcycle flicks define our future, and our future is one of gangland violence, measured in horsepower cubic centimeters and steel tonnage. Get ready.

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Art Johnston
‘What Have You Got?’ A Theory of Hip, Part One

Nineteenth century capitalism generated the “true believer” in laissez-faire, and gave rise to a large body of oppressed workers; the condition of which was a contradiction of the justifying principles of capitalism—the “natural rights” of Man.

In Western industrial societies (as is well known) workers and capitalists coalesced and perpetrated a conspiratorial revolution, giving rise to synthesis unexpected by social critics—the modern corporational society of profit sharing, fringe benefits, and governmental protectionism.

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