Norman Nawrocki

During a recent 10 day visit to Western Poland (Wielkopolska) to do research for a novel based on my family history, I spoke with many people in the street, in bars, cafes, on trains and buses trying to understand the new realities of Central Europe.

“Poznan not for developers; Rozbrat (squat) not for sale”

...

a review of

Peter & Emma’s Bookcafe (operetta) by Lenny Kwok, 2021

During the worldwide youth revolt in 1968, Lenny Kwok was a 13-year old Hong Kong high school student handing out radical pamphlets with his friends. He got busted, but it didn’t stop him from continuing to agitate for anarchism.

Flash forward 53 years, and Lenny is still at it. He has spent a life-time as a Hong Kong anarchist/artist/musician/singer/author, but now lives in Taiwan following repression from the Chinese government.

...

Imagine if more people believed in the power and the magic of collective creativity, what a crazy wonderful new anarchist world we could build. Under capitalism, any form of creativity is usually seen as an individual pursuit, the domain of the rich, the elite and artistes. It’s something to be commodified, re-packaged, and sold back to others as pop culture to be consumed. People accept that they must subscribe to watch movies or hear music to get their cultural fix. For the average person, the high costs of attending live theatre or dance performances are usually prohibitive.

...

Hong Kong, a steamy, enchanting, green pearl of an island with an amazingly efficient public transit system is also the ultimate temple to last gasp, fast buck, crass consumerism.

Mega-towering, teetering, multi-national corporate headquarters ablaze with over-sized neon logos that are sometimes lost in the clouds, dominate the skyline, but can’t quite obliterate the dreamy and defiant mountains behind them.

...

As an anarchist writer, I’m no different from other scribes who try to be socially engaged in their work and lives. I drink beer, write, and do my best to live according to my anarchist principles. And I try to incorporate anarchist thought, experiences and visions in all my creative work.

It’s a daily, lifelong challenge.

...

I came home one night many years ago to find my then girlfriend crying on the couch. “What happened?” I asked. “Nothing. Just some guy in the street.” “What did he do to you?”

“He wouldn’t let me cross the street unless I told him my name and agreed to go out with him. He kept blocking my way.”

She told me that this total stranger kept harassing her for blocks and wouldn’t give up. No one intervened.

...

She was known as either Maria or Marusya Nikiforova, a fearless and feared, bad-ass Ukrainian anarchist warrior who led her own army during the Russian Civil War and peasant rebellions in the early 20^th century. But few people have heard about her, either in Ukraine or elsewhere.

A contemporary of another famous Ukrainian anarchist, Nestor Makhno, Nikiforova (1885–1919), was at one point better known in parts of Ukraine than him and also considered more important. But because she was a woman, she is mostly ignored in histories of the period, including anarchist ones. There are also few documentary sources about her life since she spent most of it underground and only surfaced in the public eye as part of the Makhnovist movement for two remarkable years from 1917 to 1919.

...

7:58 pm

in this quiet, working class

Montreal residential neighbourhood

the orchestra starts

one person

walks slowly down her stairs

sets a solitary rhythm

taps a pot with an egg beater

looks around hopefully

8 pm

half way down the block

a smiling grandfather

and his shy teen grandson

leave their apartment

...