“Candy” must be the world’s first avant-garde Gallop poll movie; there’s something for everybody... dirty old men, freaks, sadists, mom and dad, the kiddies, and homosexuals.
The director, Christian Marquand, started out with a fool-proof formula guaranteed to appeal to the “with-it” film audience. Consider this: the screenplay, by Buck Henry, was loosely based on Terry Southern’s notorious best seller; the casting department had lined up no less than Marlon Brando, Richard Burton, Ringo Starr, Walter Mathau, James Coburn, Charles Aznavour, John Astin, Elsa Martinelli, and a much-publicized little Swedish dish, Ewa Aulin, to play the title role; and then toss in all sorts of movie madness...bits and pieces of “Persona,” “Dr. Strangelove,” “The Graduate,” “Barbarella,” “The Umbrellas of Cherbourg,” a whole segment from “8-1/2,” nods to Lester and Godard, and finally, a little “2001” mysticism thrown in for box-office measure.
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