Ron Sakolsky
Dancing to the Beat of Indigenous Resistance

Black Indian identity charts a course that, by its own hybrid nature, sails beyond the simplistic binaries commonly associated with racial nationalism, while at the same time carving out its own cross-cultural position in the struggle against white supremacy.

In relation to the anarchist/Black Indian connection, as Wilson Harris has noted, “The very ground beneath us has been stolen. I think that’s why Proudhon wrote his book, Property IS Theft.” Harris then goes on to trace his own struggle as a Black Guyanan to the anti-colonial revolt of 1687 fomented by the combined forces of African maroons and Arawak Indians.

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Ron Sakolsky
Anarchy in a Diasporic Key

Imagine diasporic anarchy! While not all diasporas are African, I would like to focus upon the affinities between the African diaspora and anarchy using music as a touchstone.

I use the term “diaspora” in Paul Gilroy’s dynamic sense of the “plural richness of black cultures in different parts of the world in counterpoint to their common sensibilities—both those residually inherited from Africa and those generated from the special bitterness of new world racial slavery” (Gilroy, The Black Atlantic).

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Ron Sakolsky
Where are You, Arnold Shultz?

Though he never recorded, his spirit hovers over the American musical imagination, whispering his hidden secret worldwide to all those with ears to listen to the interraciality of what is typically portrayed as racially separate.

Receiving his slave name from Revolutionary War veteran and slavemaster Mathias Shultz of the Green River region of western Kentucky, Arnold was the child of the last of his ancestors to have once lived in slavery. He began as a songster playing guitar around the turn of the twentieth century. At this time in isolated mountain communities, those of African-American and European-American descent made music together at square dances, picnics, and other occasions calling for string bands.

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Ron Sakolsky
Teaching Anarchy

There are many anarchist approaches to education from free-schooling to home-schooling to de-schooling and beyond. The experience recounted here occurred in a much less receptive learning environment.

For twenty years I taught a course, entitled “Anarchy and Social Change,” at a university that was at first fairly experimental (student-centered, no grades, interdisciplinary, participatory decision-making and self-designed degrees), but which, over the years, deteriorated (though not without a battle) into the “anywhere USA” franchise of bureaucratic education that is so widespread today.

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Ron Sakolsky
Refusing the Marketplace

Prologue

“Lady

with the very modern illness

agoraphobia

but ancient as fear

in a Greek marketplace

Lady

I have seen your face

crumple and break in ecstasy

of terror of horror of being

alive in the sewer world

feeling alien thoughts beating

at your mind an office desk

protruding from one ear

a subway train from the other

bells clanging gongs shouting

while you’re washing the dishes

terror

of the market place

and falling

falling into that white place

without shadows

where the rivers are milk

and Lethe dreams

and nothingness has no horizon...”

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Ron Sakolsky
Black Star North

“A single star weds the space between two branches.”

-- George Elliott Clarke in Québécité

Lately, I have chosen to do my living, loving, writing, and resisting in British Columbia (BC) Canada. Though I can’t say that I’m an ex-patriot, since I have always despised patriotism; I am currently an expatriate. Canada has long been a destination of choice for American political dissidents like myself, and for such refugees from US oppression as the enslaved Africans who followed the North Star to the last stop on the Underground Railroad (though slavery was by no means illegal in Canada). In 2000, the now deceased African American surrealist poet, Ted Joans, put a new wrinkle on that maroon tradition by swearing that he would move to Canada if George W. Bush became President. Immediately after the election, he moved to Vancouver. For a variety of reasons, in 2002, I followed his ambulatory example by moving to one of the Northern Gulf Islands (which are located in the Strait of Georgia between the West Coast of the Canadian mainland Vancouver Island). Finally fed up, I had escaped the belly of the beast to seek sanctuary on Denman Island.

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Ron Sakolsky
First they Came for Ward Churchill In early 2005, because of comments concerning 9/11 made years earlier, University of Colorado professor Ward Churchill became the whipping boy for right-wing vilification of all that was suspect in American universities.

In “Some People Push Back: On the Justice of Roosting Chickens,” Churchill invoked Malcolm X’s comments immediately following the assassination of president John F. Kennedy as he maintained that American foreign policy provoked the attacks on New York. At root in the controversy was Churchill’s comparison of Americans to the “good Germans” of Nazi Germany and his now famous phrase about “the little Eichmanns inhabiting the sterile sanctuary of the twin towers.”

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Ron Sakolsky
Only a Beginning Review

a review of

Only a Beginning: An Anarchist Anthology. Edited by Allan Antliff. Arsenal Pulp Press. 2004. 352 pages. $25. Available from The Barn.

Left liberals in the United States laud Canada as a sort of parallel universe: a North American welfare state paradise where everyone has health care; foreign policy is about international peacekeeping; and a national propensity for politeness is translated into public discourse as civility. It’s a mythic place where anger doesn’t exist (except perhaps on the hockey ice), and anarchism is as genteel as a George Woodcock poem.

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Ron Sakolsky
No More Safety Valves The Government Has Approved Low Power FM Stations, but Resistance Radio Continues

Freedom is a word with many meanings. What makes radio free from an anarchist point of view? In relation to the airwaves, the term commonly refers to a form of direct action broadcasting done without a government-approved license. It is popularly known as pirate radio.

The autonomous broadcasters of the free radio movement actively expand the everyday lived experience of freedom from state regulation by seizing the airwaves from their corporate and government masters, setting up unlicensed stations and helping others to do the same. On the other hand, the Prometheus Radio Project is a non-profit organization created by former radio pirates to facilitate the growth of a Federal Communications Commission (FCC) program known as Low Power FM (LPFM).

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Ron Sakolsky
A Call for Tunnel Visionaries

Reality is a tunnel constructed between the realm of the possible and all that is deemed impossible. Under the aegis of reality, the conceptual limitations of tunnel vision are normalized. By breaking down the tunnel walls, we fully reveal what is ignored, dismissed, or hidden from view by the fetters of reality. Even though we are born in the tunnel, we can imagine life beyond its walls--we can be tunnel visionaries!

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Ron Sakolsky
Rocks in my Pillow Book review

a review of

Anarchy and Art: From the Paris Commune to the Fall of the Berlin Wall, by Allan Antliff, Arsenal Pulp Press, 2007

“Do you believe,” she went on, “that the past dies?”

“Yes,” said Margaret. “Yes, if the present cuts its throat.”

--Leonora Carrington

When I first heard about this project, I was excited at the prospect of a book entirely devoted to the history of anarchy and art. Sadly though, the result is a disappointment. Politically-speaking, the book rides the fence between the anarchist milieu and the authoritative voice of academia when what is needed is a sturdy pair of wire cutters, perhaps a catapult, or maybe even a battering ram. For me, the most positive aspect of the book is that its essays stimulated my critical thinking in response to its arguments. To be fair, attempting to write a history of the confluence of anarchy and art from the Paris Commune (1871) to the fall of the Berlin Wall (1989) is such a monumental project that much of the story will inevitably fall into the cracks of the eight episodic chapters that comprise its less than 200 pages. When I initially skimmed the book, I expected to be writing a basically positive review with my main critique being about the way in which surrealism is handled. However, upon actually reading it with some care, I soon realized that the book is problematic from start to finish.

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Ron Sakolsky
Various Authors

Hellcat Passion from the London International Festival Of Surrealism; Submitted by Ron Sakolsky, Inner Island Surrealist Group

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Game (1) “Shelf Life”

How to Play: You take a series of books off your shelf in the order they sit there. Working through them in sequence, you open them at random, selecting the phrase or clause that strikes you, and create a text in this way. (It’s also possible to make a title in this way). As a variant, this can also be played with more than one player, by taking it in turns to add a sentence, phrase, clause or half-sentence.

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Ron Sakolsky
As The Shit Hits The Fan The Economy is in the toilet. Flush it down!

The State is understood as pure and inviolable, as capable of purifying the most repulsive things--even money--through the touch of its divine hand. Money, therefore, is pure insofar as it belongs to the State; so are, by association, those experts who are summoned to serve it. Even today power reenacts that ceremony where the despot shits in honor of his subjects, summoned to laud him for the gift of his royal turd.

-- Dominique Laporte, History of Shit

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Ron Sakolsky
Tuning in to the illegalist continuum Bank Robbers on Land, Buccaneers at Sea, Pirate Radio

Bank robbers

The Bonnot Gang were notorious anarchist bank robbers whose daring exploits in pre World War One France were legendary examples of illegalism. In contrast to the stalwart proletarian solidarity prized by the anarcho-syndicalists of that time, the illegalists saw no need to wait for the Great General Strike to reappropriate the fruits of their labours. Instead they were determined to act on their immediate desire for a direct expropriation of wealth. And what better place to find it than at a bank.

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Ron Sakolsky
On Don LaCoss’s Passing a tribute

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One of Don’s last research projects was on the history of Egyptian surrealism, so it is fitting that his death was poetically heralded by a popular insurrection in the streets of Cairo.

As the founding manifesto of the 1973 Arab Surrealist Movement in Exile exclaimed as if in anticipation of the possibilities opened up by recent events in Tunisia and Egypt: “We call upon individuals and the masses to unleash their instincts against all forms of repression, including the repressive ‘reason’ of the bourgeois order. We poison the intellectual atmosphere with the elixir of the imagination, so that the poet will realize himself in realizing the historical transformation of poetry. We liberate language from the prisons and stock markets of capitalist confusion.”

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Ron Sakolsky
How Art and Music Can Change the World

a review of

How Art and Music Can Change the World: Mecca Normal

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Mecca Normal is Jean Smith and David Lester--making music and art together since 1984.

Over the last 25 years, Mecca Normal has consistently turned up the heat on the theoretical relationship between music and social change by furiously stirring them together in the fiery cauldron of artistic practice. In the process, they have boldly created a unique body of work that has challenged the downpressing gravity of the authoritarian life with a yeasty combination of outrage and subversive laughter. In essence, they have defied gravity, and, in doing so, have urged us all to refuse to be held down when we could be soaring to the outer reaches of possibility, or, better yet, demanding the impossible. Their music is not designed to present us with a dry polemic on the “one-best-way” to be politically active or offer a pat answer on how to live our lives according to anybody’s party line. Instead, it is a direct call to see through the bullshit and make our own choices.

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Ron Sakolsky
Music review: d’bi young

a review of

d’bi young. Wombanifesto.

www.dbiyoung.net

Invoking Elegua to open the musical floodgates, d’bi young wastes no time in unleashing bold soul sonic vibrations that ripple through the body and mind, swiftly but surely navigating the resulting rapids to carry us along on the raging (as in outrageous and outraged) river of her creativity.

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Ron Sakolsky
Thin Ice, Deep Water The Vancouver Hockey Riots

The surging waters of the collective unconscious that were unleashed in the Vancouver “Hockey” Riot of June 2011 made it abundantly clear just how fragile the artificial ice age of industrial civilization can be when it comes in contact with the searing heat of the moment.

Faced with the nagging miserabilism of daily life, the emotional dam of mutual acquiescence finally burst its walls and a tidal wave of repressed desire obliterated the illusion of social peace.

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Ron Sakolsky
Sean Woods

Hoppin’ Aboard the Underground Railroad Fiction

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The first night after leaving their hide-out in the Vancouver Island woods, Jerry and Max climbed the drawbridge off the last ferry of the day onto what they hoped would be the safety of Inner Island and headed down the beach to avoid meeting anyone.

Inner Island bobbed comfortably in the calm waters between the mountainous spine of Vancouver Island and the mainland Coast. After the indigenous Pentlatch had been decimated by lethal doses of smallpox and colonialism, it had- been settled for the past half century by an assortment of old-time pioneer families, hippie dropouts, draft dodgers, and a scattering of retired criminals.

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Ron Sakolsky
Imagine Global Revolution

What I love about

the occupy movement

is that it makes

no demands.

Is

a space

in which possibility

expands.

An opening

for imaginations

to upset

the applecart

of acquiescent

relations.

Imagine

clearing the slate

opening the gate

rejecting

the horrors

of industrial civ

un-Occupying

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Ron Sakolsky
Occupying the Citadels of the Mind A Review of Two Insurgent Documents from the Frontlines of Educational Revolt (2009–2012)

a review of

After the Fall: Communiques from Occupied California by Aragorn! Edited by Little Black Cart Books, Berkeley, 2010. This free newsprint publication is presently out of print, but can be downloaded at afterthefallcommuniques.info.

One of the key essays, “We Are The Crisis,” appears in Occupy Everything: Anarchists in the Occupy Movement, 2009 2011 by Aragorn!, Little Black Cart Books, Berkeley, 2012, 258pp, $15

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Ron Sakolsky
Why be so Attached to your Penis? A fellow creature that gives new meaning to the phrase, “going both ways”

Download MS Word .doc [29 kb] fe-389-13-Why-Penis

“I haven’t seen anything like this before.”

-- Bernard Picton, Curator of Marine Invertebrates, National Museum of Northern Ireland

Could the surreal imagination of even Karel Capek in his most bitingly satirical novel, War With The Newts, ever have conceived of a game-changer the likes of chromodoris reticulata, a red and white sea slug that can actually shed its own penis after mating and then replenish said appendage the very next day.

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Ron Sakolsky
“Y” Is A Crooked Letter

What kind

of anarch

am I

on my

best days?

The kind

that eludes

the prisons of

“ists” and “isms”

for the

freedom

of the

“Y”.

Why?

That is

the question.

During

my childhood

daze

my mother

dismissed

my incessant

questioning

of her

authority

(my why-ning

as she called it)

with her favorite

parental

pronouncement,

“Y

is a

crooked letter.”

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Ron Sakolsky
Surrealism is (Still) Elsewhere Like anarchy, surrealism boldly demands the impossible

It seems that the more art school training one receives at the academy, the more one is likely to be confused about surrealism or overtly hostile to it. Much of the malaise around surrealism in art circles stems from the insularity of the art world itself.

While surrealist ideas and practices can be expressed artistically, surrealism cannot be reduced to a style or school of art, even one aimed at inspiring radical political action. Nevertheless, surrealism is typically portrayed by academics as merely one historical moment in the grand cavalcade of failed avant-garde art movements of the 20th century.

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Ron Sakolsky
The Economy is in the toilet Flush it down.

Fifth Estate history

Why save Wall Street when the shit hits the fan and the economy plunges down the toilet? Let it drown in its own cesspool of toxic debt. Since money is symbolically a form of excrement, poetic justice demands that stockbrokers and bankers suffocate in their own shit.

The global capitalist economy has collapsed like a house of cards in a shitstorm. Yet, instead of celebrating the crash by dancing in the ruins, the wage slaves and their overseers are busily deciding how to shore it all up again.

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Ron Sakolsky
Polish Oranges How the Orange Alternative, a band of surrealist provocateurs, helped bring down Poland’s Communist government in the 1980s

a review of

Lives of the Orange Men by Major Waldemar Fydrych, edited by Gavin Grindon, translated by David French, with an introduction by the Yes Men Minor Compositions/Autonomedia, 2014, 330 pp.

While many historically-minded radicals are familiar with the imaginative counter-cultural actions undertaken by the Dutch Provos in the 1960s, the Orange Alternative’s subversive cultural resistance tactics emanating from Poland in the 1980s are less well known.

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Ron Sakolsky
Defenders dedicated to the U’nis’tot’en Land defenders

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Activist with the Unist’ot’en Clan of the Wet’suwet’en Nation in northwestern British Columbia protecting indigenous lands from oil and gas development. August 2015. (RedPowerMedia.WordPress.com)

Broken leather latch

time’s dispatch

an oil-stained suitcase

containing

tar sands underwear

surrounded by

industrial overwear.

Over where?

Not over here

you bastards

not anywhere!

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Ron Sakolsky
Surrealism on the Barricades

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excerpt from

Breaking Loose: Mutual Acquiescence or Mutual Aid? LBC Books, 2015, lbcbooks.org

Back in 1995, as the banlieues burned, the Paris Surrealist group put out a tract entitled Warning Lights: A Surrealist Statement on the Recent Riots in France, delineating the unrealized potential of such multi-racial uprisings in the inner suburban immigrant quarters to spread across the country.

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