Full list of texts

I first encountered André Breton’s surrealist manifestoes as a young anarchist in the late ‘80s, and was attracted to the ideas within.

Surrealist poetry had a familiar resonance: I recognized how psychic automatism existed in my own experience. The quality of that expressive revelation reminded me of how long sentences, scenes and pictures would unfold before me, independent of conscious direction, as I was near sleep. Breton even mentions such hypnagogic phenomena in the first manifesto. But I had no idea anything like a surrealist movement still existed until I saw a review of Arsenal: Surrealist Subversions in a midwestern anarchist publication.

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(Liberation News Service) The New York Daily News says these are our real enemies—the good wholesome American kids who hate beatniks and commies and unpatriotic draft dodgers.

They are the healthy kids, the good solid backbone of America who will hold the country together, who will not succumb to the creeping decadence which seems to have a frightening, unexplainable hold on so many of our young.

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a review of

The Failure of Non-violence: from the Arab Spring to Occupy by Peter Gelderloos, Left Bank Books, Seattle, 2013, 306pp. leftbankbooks.bigcartel.com

Peter Gelderloos’s The Failure of Nonviolence is a thought-provoking invitation to authentic debate.

This kind of discussion is especially relevant for those of us who welcome the recent worldwide social insurgencies, and are not committed to pacifism as an ideology. The book focuses on tactics and strategies used by social movements, and encourages critical debate about defining success and evaluating which struggles have been successful and which ones have not.

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a review of

Blood of the Earth: Resource Nationalism, Revolution, and Empire in Bolivia by Kevin A. Young, 2017, University of Texas Press

Kevin Young’s Blood of the Earth examines the period of Bolivian history after the country’s 1952 revolution, in which the Nationalist Revolutionary Movement (MNR) was able to overthrow the ruling military government with the help of popular militias led by factory workers and miners.

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Ekset City was on fire. Flares and napalm and hammers and bullets and the angry minds of angry men were tearing through three hundred years of architecture and three thousand years of culture. At the center of the city, a bonfire engulfed the seven pillars of Ekset. A frightful horde of humans paraded through, warming their hands on the pyre of victory and sacrificing every trace of goblin culture to the consuming flames. Black smoke rose up so thick and high it fought against the glory of the sun.

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“How can the spirit of the earth like the White man?...Everywhere the White man has touched it, it is sore.”

—a woman of the Wintu tribe (California)

Among the many places too numerous to name that have been defiled and destroyed by western civilization, there is a mountain in a place called Arizona, a mountain called Dzil nchaa si an (Big Seated Mountain) in the language of the earliest known human inhabitants, Mount Graham on modern maps. This is the abode of the Spirit Dancers (Ga’an), who taught the Apaches their sacred songs and dances. It is the highest peak in the Pinaleno Mountains, situated at the meeting place of four biotic zones—the Chihuahuan and Sonoran deserts and the Rocky Mountain and Sierra Madre forests.

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Editors’ Note: The trial of the Chicago Conspiracy 7 is a trial of one consciousness by another. On December 11, Allen Ginsberg, poet and man of the planet, came to Julius Hoffman’s courtroom to speak in behalf of Abbie Hoffman, Jerry Rubin, and the Yippie Festival of Life that fell before police clubs in Lincoln Park and on Michigan Avenue last August at the Democratic Convention.

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She meant well, most all do. And she did a fine job, under the circumstances. And that’s exactly what it was, a job, like any other. Underpaid, understaffed, boring. She put off all compensation for her later years. “A child saved is a child earned.” Like insurance, but with no guaranteed premium. And she wonders now, that most of her children have departed, what she has to show for it all.

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The Layabouts onstage at FE’s big birthday bash, September 19, 2015.

This edition of the Fifth Estate marks the 50^th anniversary of its publishing, with much of the celebrations occurring in a manner we never anticipated. There are exhibitions at two prestigious Detroit museums, a jammed packed dance/ concert with hundreds in attendance featuring The Layabouts, an anarchist rock/ska band, talks to the Detroit Press Club, radio and TV coverage, art and political workshops and panels at the museums, and tours with university classes and other groups at the museums which are selling Fifth Estate t-shirts. Whew!

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The FE Bookstore is located in the same place as the Fifth Estate Newspaper, both of which are located at 4403 Second Ave., Detroit MI 48201—telephone (313) 831–6800. The hours we are open vary considerably, so it’s always best to give us a call before coming down.

HOW TO ORDER BY MAIL:

1) List the title of the book, quantity wanted, and the price of each;

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This story begins in the middle of a long night. I had been reading a tale in which the noted storyteller Baal Shem Tov appears and this was a dream I had in response to this reading.

A Jewish orphan born in Poland in 1698, Baal Shem Tov was a legendary personality of the heretical, Hassidim movement who sublimated in acts and words the aspirations of the medleant and wandering Jews.

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Paul Krassner, editor of a magazine of free thought, criticism, and satire, called The Realist, was in Detroit last month. In his “Evening with A Self-Styled Phony,” Krassner turned people on to what turns him on. The Realist, for example:

“I wake up every morning and I giggle: I’m the editor of The Realist ha-ha-ha. It really is strange because I’ve been doing it for eight years now and I really haven’t accepted that fact. If I walk past a store and it says ‘boy wanted,’ I stop—I say ‘maybe I can still get the job.’ I really don’t relate to this—you know what it’s like; working, you know, not going to a job, it’s like playing hooky all day long. I mean you can go to an afternoon movie and you don’t get in trouble. I have a secretary to take the calls while I’m gone. It’s very strange, you know, just putting out a magazine and not getting paid for it.”

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John Mayall is one of the most respected white musicians playing the blues today. While the blues are popular and being utilized by many pop musicians who are good copyists and technically proficient, there are few original or innovative performers.

Mayall, who has been playing the blues since 1963, has released seven albums. He is serious about the music and is no longer interested in performing good imitations of black bluesmen. Instead, he has developed a personal and unique style.

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EDITORS

Harvey Ovshinsky

Peter Werbe

EDITORIAL ASSISTANT

Cathy West

CIRCULATION

Tommye Wiese

NEWS EDITOR

Alan Gotkin

MUSIC EDITORS

Tony Reay

John Sinclair

OFFICE MANAGER

Debbie Quigg

PHOTO EDITOR

Mike Tyre

ART DIRECTION

Blallen

ADVERTISING

Gunnar Lewis

CALENDAR

Resa Jannett

DISTRIBUTION

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Underground newspapers, books & magazines & records & posters

buttons & bumperstickers

all kinds of things you need

ESP RECORDS!! The FUGS Broadside album — the FUGS second album — Timothy Leary Speaks on LSD Albert Ayler Spirits Rejoice! New York Ear & Eye Control

Patty Waters Sings!

Marion Brown Quartet!

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“The Fifth Horseman is Fear” is a relevant work of art. It is relevant in all its parts, almost in spite of the fact that it deals with Nazism in occupied Czechoslovakia. Its statement is relevant in the way that any statement about fear is particularly and personally relevant in our time. It is a work of art in the true sense, as it engages the viewer in a cathartic experience and involves him actively in its own transformation.

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Deep in the wilds of central Idaho is a wild bunch of pissed-off people. No, not militias! We’re people resisting the destruction of one of the last untouched forested areas in this country.

Welcome to Jack Squat, summer 1996, the year activists reclaimed a logging road in the contentious Cove/Mallard timber sale area. Visitors gawked when they approached the Jack Creek logging road in July.

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WHILE BRAVE MEN DIE had its Detroit premier on Saturday September 10. Sharing the bill at lower DeRoy Auditorium was OPERATION ABOLITION, a right-wing expose of communists in the peace movement. As expected, the entire evening of film phantasmagoria was an exercise in high cinema camp and low grade stupidity.

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A few weeks ago the Flying Burrito Brothers brought their electrified, rockified country style music to the Grande Ballroom and the good folks responded with a silent Bronx cheer.

They wanted something familiar to vibrate their nervous systems, but the Burritos responded with soft, but apparently unsoothing country rock.

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“You don’t own property; property owns you.”

--B. Traven (Treasure of Sierra Madre)

Anarcho-primitivism states that humanity’s problems began once we abandoned our hunter-gatherer lifestyle in favor of an agrarian one. By contrast, our new sedentary way of life leads to social stratification and overpopulation due to a division of labor and food commodities being produced to the point of surplus.

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The release of several reports this fall concerning environmental collapse has introduced us to a new and powerful way to discuss nature, one that we may have overlooked in our concern for life.

The destruction of the natural world, as it turns out, is going to be expensive. No, silly, not like you’re thinking--loss of human and animal lives, loss of culture, loss of pleasure, loss of hope. Not those expenses. I’m talking about money.

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During World War II the famous Hollywood filmmaker Frank Capra was commissioned by the U.S. Military to make a seven-part documentary film series titled “Why We Fight.” Its purpose was to counter Nazi propaganda films and justify U.S. involvement in the war to soldiers and civilians.

The first film in the series, “Prelude to War,” locates the origin of the conflict in the Japanese invasion and conquest of Manchuria in 1929 through 1932. But there were less known equally significant goings on in Manchuria that the film does not present. These have also been left out of most books and articles covering the history of the area.

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“Conscience is a costly thing, and I am paying dearly for the rights to my mind. Five years a cement wall and cold iron bars... is the price I am paying for real freedom. If it must be this way, I accept it gladly, knowing that the satisfaction, the pride and the honor I am feeling because of my actions will bring me through, whatever punishment my master’s hand down on me.”

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a review of

The Free by M. Gilliland. Hooligan Press, 142 pp., London, 1986, 1.80 pounds, $4.00 (U.S.)

The Free is a short, quick-paced novel about insurrection and revolution, its eventual defeat and the repression which follows. Although the quality of the prose is a bit ragged in parts, it is powerful and real enough that witnessing the dreams of the central characters first realized and then dashed creates a mood of utter despair by book’s end.

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The Free University at Wayne State is beginning its second term and is looking for students and professors.

Anyone can attend and the only qualifications necessary for teaching-age that you have something to profess and can get people to sit through your class.

The Free University is a community project begun by Open City and has a catalog of classes available from the Open City Office, call 831–2770 for more information.

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Recently, an anti-nuclear protester in Washington state, after seeing the nuclear freeze banners which he and his friends had spread across the tracks shredded by the oncoming train carrying nuclear warheads, was asked by a radio reporter what his feelings were.

As the train barreled along nearby blowing its whistle, he answered, “Fear, I guess, first; we could be shot by sentries for getting too close to the train. Also it’s a humbling experience being so close to so much destruction.”

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In November, 2001, I was arrested protesting at the School of the Americas in Fort Benning, Georgia. I received a six month sentence the next July, eventually seeing the insides of three Georgia county jails, a federal maximum security transit center, and a minimum security federal prison camp. At my politicized trial, the prosecutor knew I was an anarchist, and it was because of this, and because I openly criticized the judicial system, that I got the maximum sentence despite being a first-time offender.

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Editors’ Note: Marc Kadish is Mid-West organizer for the National Lawyer’s Guild and is active in Detroit with the National Organizing Committee (NOC).

Fort Riley is a sprawling Army base located between Manhattan and Junction City, Kansas about 200 miles from Kansas City.

Included among the 15,000 GIs on the base are approximately 3,000 soldiers who are being “rehabilitated” at the Correctional Training Facilities. If they don’t get rehabilitated they get shipped to the Army Disciplinary Barracks at Fort Leavenworth.

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Lakabe, a Basque country village dating back to the Middle Ages, now an intentional, self-sustaining community.

Sales Santos-Vera and Itziar Madina-Elguezabal live in the heart of the Basque Mountains, where the borders between France and Spain are blurred and the mists hide the paths once serving smugglers and antifascist guerrillas. Sales moved here from Extremadura along with his family as a boy.

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a review of

End Times: Elites, Counter-Elites, and the Path of Political Disintegration by Peter Turchin. Penguin Press, 2023

Historian Arnold J. Toynbee once insisted that history is not “just one damn thing after another.”

Joe Strummer, lead singer of The Clash, once insisted that, “The future is unwritten.”

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“They are playing a game. They are playing at not playing a game. If I show them I see they are, I shall break the rules and they will punish me. I must play their game, of not seeing I see the game.”

—R.D. Laing, Knots

I remember sitting in a circle, making tough decisions about how to respond to a community conflict that had escalated to the point of physical violence. It was a heated discussion. None of us knew what the fuck we were doing. We were angry. We were scared. No one wanted to be wrong.

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a review of

The Anarchist Roots of Geography: Toward Spatial Emancipation by Simon Springer. University of Minnesota Press, 2016

Anyone who wants evidence that anarchist geography is alive and well today need only read this book. The author, Simon Springer, is one of the most active anarchist intellectuals today. In 2016, he authored two books and edited five, mostly on anarchist themes, and he has written numerous articles, some technical, but many deeply immersed in contemporary struggles.

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One, two, three, four, we don’t want your fuckin’ war!

Again and again they chanted the couplet as they slowly made their way downtown along New York City’s Fifth Avenue, and then crosstown on 42^nd Street to the United Nations. There, they would hear Martin Luther King and several other luminaries express these same sentiments against the Vietnam war, albeit in somewhat milder language.

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James C. Scott has written extensively on how people have transitioned from tribal societies to civilization as part of the process of state formation, and how resistance to state domination has occurred in this context.

In Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed and The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia, he explores tools for state control of subjects, such as permanent last names, standardization of Language and legal discourse, regularized weights and measures, records of numbers of people and wealth in land and other property, as well as the design of cities and transportation.

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Is a speeding automobile more beautiful than the Winged Victory? Is Dionne Warwick’s “Are You There?” greater than the Ninth Symphony? The Grate Society, a small group of Ann Arbor composers and performers think so. They will be in Detroit on Friday, May 19 presenting a program of musical works and “total theater events” for Wayne State’s Friday Night Coordinating Committee.

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Editors’ Note: The trial of the Conspiracy 7 continues in Chicago and has turned into even more of a circus as the defense attempts to present its case. They are blocked at every avenue by senile Judge Julius (Magoo) Hoffman, who sustains every prosecution objection and denies every one that comes from the defense table.

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Attendance at the 2^nd Detroit Triple Fan Fair the weekend of June 17 and 18 peaked at approximately 150 and audience enthusiasm burned with a hard, gem-like flame, despite program changes and setbacks.

Buck Rogers comics were among many at convention

The purpose of the Fair was succinctly set forth: “To preserve rare material and to further the appreciation of Comic Strips, Films, and Fantasy Literature as genuine Art Forms.” Many fans at the Park Shelton Convention were therefore rather testy about the illustration from former EC artist Wally Wood’s Witzend, which accompanied my earlier pre-Fair article in a recent Fifth Estate. The panel depicted Wood’s Animan defrocking a stacked lovely. When I mentioned that he had drawn the pornographic centerfold (Orgy at Disneyland) in the current Realist, Wood’s stock sank even lower at the dealer tables.

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Sept. 11^th the Green Berets came to town.

They got together for a little show at the foot of Woodward, about two dozen of them in the bright sunshine. Maybe 150 Detroiters turned out to see the military elite, vaunted in press and song.

The first thing that struck the viewer was their youth. They looked for the most part barely two and three years out of their teens. Young faces for the most part, smooth, unwrinkled and without real worries.

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The Green Scare continues with the plea-bargain and imprisonment of Fifth Estate writer Marie Mason, three new arrests in Wisconsin, grand jury appearances by activists Kevin Tucker and already-imprisoned Daniel McGowan, and the sentencing of Briana Waters.

The “Green Scare” refers to a series of recent arrests of earth and animal liberation activists (and the ongoing investigation and intimidation of the same) who have engaged in acts of property damage in which no one was hurt. The arrests have been marked by outrageous charges (activists often face life in prison), as well as the public and legal labeling of these acts as “terrorism.”

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Besides the sentencing of Marie Mason, there have been developments in a number of other Green Scare cases in the Midwest and beyond.

The Rhinelander case has affected a number of activists. Five hundred genetically-modified research trees were destroyed at a federal research facility in Rhinelander, WI in 2000. Activist-turned-government-collaborater Ian Wallace pled guilty in October 2008 to this action, as well as an attempt to damage two buildings at Michigan Technological University. In March 2009 he received three years.

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The intricate web of lies fielded by the U.S. to hide the real reasons for its 1991 attack on Iraq has been further exposed (see Spring and Summer 1991 FEs for earlier disclosures). Realizing that the American people would not support a war to protect Persian Gulf oil profits, President Bush contrived a hobgoblin, depicting Saddam Hussein with a nuclear bomb. He presented this as an imminent threat and the reason why the war had to be prosecuted immediately rather than waiting for slower-acting sanctions. Now we find hidden away in the pages of the May 20, 1992 New York Times was the information that an international gathering of nuclear weapons designers had concluded, after looking at all the available evidence, that Iraq was 3 to 5 years away from developing a bomb and may even have faced insurmountable obstacles.

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Note: Hangovers are cantilevered buildings in New York City. Italics are quotes from Wislawa Szymborska’s poem.

Arise! Time to leave squalor, filth behind

the wars, carts of corpses, sludge and ashes

instead, let’s build heavens in New York’s blue skies

ignore the shards of glass, the bloody rags below

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Jane Fonda, Donald Sutherland and other entertainers performing in FTA, a satire on the army & Vietnam war. From the documentary “F.T.A.: (F**k the Army)” available from StoneyRoadsFilms.com

“Jane Fonda, Traitor Bitch”

—Bumper Sticker at Old Miami, a Detroit Bar

In 1968, Jane Fonda was best known for the role she played as the scantily-clad Barbarella in the film by the same title. Shortly thereafter, she emerged as an influential voice in the movement against the war in Vietnam, leaving as her most lasting contribution the support she gave the resistance efforts of GIs and veterans.

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In Chicago’s Haymarket Square on the night of May 4, 1886, a dynamite bomb was thrown at a squadron of police during a rally of striking workers. The bomb blast and ensuing gunfire resulted in the deaths of police officers and workers. Eight anarchists were tried for murder and found guilty although the prosecution conceded none of the defendants had thrown the bomb. Four of the men were executed.

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highThere is virtually no aspect of life in America today that is not concerned in one way or another with the drug scene. Hippies and politicians, students, parents, teachers. police and revolutionaries all contribute their harsh or thoughtful or inconsistent opinions. Their voices range from the educated, flat and clinical sermons of the AMA, to the educated, maniacal sermons of Timothy Leary.

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The High Priest of Technology: “Dominate, dominate, dominate” (drawing by Stephen Goodfellow)

The High Priest of Technology still holds the high cards of death, but throughout the world mass opposition to his plans are taking place. Easter week-end in Europe saw at least half a million people in Scotland, England, the Netherlands and W. Germany carry off demonstrations, die-ins and blockades. Hundreds of other small actions like trespassing in the Upper Peninsula of Michigan by churchpeople on an Air Force base go largely unreported, but are examples of a wave of resistance to the annihilation which waits in the wings.

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In Southern California, the wild summers of 1960 and 1961 were a prelude to a series of famous youth insurrections: the watts riot of 1965, the so-called “Hippie riots” on Sunset Strip between 1966 and 1970, and the Eastside high school “blowouts” of 1968–69. [In the early sixties], Black youth in Los Angeles and elsewhere began to fight spontaneously for substantive control over community space—a thrust that would later become enshrined in the Black Panther Party’s program for “self-determination.”

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Remember what happened when you came home from the Chicago Democratic Convention in 1968? Things started blowing up around here—things like police stations, draft-boards and recruiting stations—even the war-crimes building at U-M and the Ann Arbor CIA office.

A dude named David Valler was coming on the set in a big way around that time. Called himself “President Dave” and meant it. He was so far out on his ego trip he was appointing his future “cabinet” from off the street. One street brother was tapped for “Postmaster-General” because he delivered mail.

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The Detroit American is a racist newspaper.

It is written by racists and for racists. Its pseudo-populist rhetoric about defending the little man from “crime in the streets” and fighting against “THE BIG PRESS ESTABLISHMENT” is nothing but subterfuge for its racism.

The American defends itself against attack by saying that the bleeding-hearts can’t bear to have accused criminals referred to as “curs”, “punks”, “whelps”, etc. This, of course, is not the central issue.

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The Agnes Marsh ditch was hardly twelve feet wide and two feet deep but in it you could sink over your head in mud so foul it could make you puke. Nobody seemed to know when it was dug or why, or if it was natural, or if not, why not. It slid and hissed under the industrial yellow and pewter toned sky, its banks jewelec with the rusted-out hulks of old cars, some which crashed there years ago and some which were simply abandoned. Originally a drainage canal for adjacent farms, with the coming of throwaway culture, the Agnes Marsh took on the function of a neighborhood dump. And it had always been a sewer. The water carried every imagineable disease the locals could conjure. Everyone thought so. If you accidentally swallowed some you retched for weeks simply because you wanted to.

reviewed in this article

Juliette Minces, The House of Obedience: Women in Arab Society, 1980, translated from the French by Michael Pallis, Zed Press, 1982.

French sociologist Juliette Minces has written an informative introduction to the extremely complex subject of the subjugation of Arab women. One cannot read this study without feeling great remorse, frustration and empathy for the plight of these women who remain physically, psychologically and emotionally enslaved by a deeply ingrained tradition of hierarchical power which depends on their very enslavement for its continued existence.

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In our neoliberal societies, elites like to quantify the worth of human lives in various ways. A telling example is per capita GDP (Gross Domestic Product) that determines the economic contribution each citizen makes to a nation.

Such a view gives succor to Social Darwinists and free-market right-wingers. If some lives are more valuable than others in this formulation then why should those of lower value be aided by the wider community? While few elite figures today would say things like this out loud, similar calculi tacitly inform many political decisions.

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a review of

Wild Fermentation by Sandor E. Katz, 2003, 180 pp, $25. vvww.chelseagreen.com

The “hundredth monkey” suggests that if enough animals (including people) begin doing something, the rest will follow. “Chaos theory” suggests that a very small change can set a process in motion which causes an enormous effect. As a single yeast cell will divide and change barley to beer, we can feel empowered to change our lives.

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Related: see “Anarchy, food and sustainability” (theme intro) in this issue.

“But what can they hope to gain by attacking the only company that devotes itself exclusively to pure foods?

“My guess...Maybe collect data on as many slip-ups as possible—in an operation that size, some stuff must leak through now and then which isn’t as good as the advertising claims—and use these as a pistol to hold to the company’s head.”

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As we face the storms (both literal and figurative) of 2017, we offer a poem by Voltairine De Cleyre, dedicated to the memory of the May 1886 Haymarket strikes and demonstrations in Chicago, and especially to the anarchists murdered for their beliefs by the state.

De Cleyre was born in 1866 into a poor family in Leslie, Michigan. Schooling at a Catholic convent convinced her to reject all religion, and she became a free thinker, dedicated not to God, but to humanity.

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Detroit just sits there

like the head of a large dog on a serving platter.

It lurks in the middle of a continent,

or passes itself off as a civilization dangling at the end of a rope.

The lumpiness of the skyline

is the lumpiness of a sheet stretched over

what’s left of a tender young body.

Detroit groans and aches and oppresses.

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Born in 2004 out of the industrial ruins of Shelton, Conn., 75 miles north of New York City, a shifting cast of individuals led by soft-spoken, anti-leader, Pepe Chapowski, released records, threw shows, bootlegged albums, sent merchandise and artwork to randomly chosen addresses, wrote letters to prisoners and friends, destroyed property, published articles and zines, built sculptures from garbage, held neighborhood meetings, booked tours, and scammed real estate owners, under the name DIY Bandits.

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There is a tendency to casually dismiss works of science fiction and the supernatural in the arts, as if this type of thinking were just too cheap, too trivial to be bothered with. “2001” was virtually boycotted by the New York dailies and periodicals.

“The Illustrated Man” is a thoughtful, stimulating, and absorbing movie—one that I will return to see again and again and yet, if its early critical reception is any sign, I fear that this film will be largely underrated and thereby lose the very audience it seeks to contact.

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The Incredible String Band came to town one night, a few weeks ago, to share themselves and their music.

They came courtesy of CREEM magazine, and found that Detroit’s people, like those of most cities, were not ready for the peaceful message and music of the ISB.

Although most of the vast Ford Auditorium on May 16 was empty, the stage was filled before Mike Heron, Robin Williamson, Rose, and Licorice came on.

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There is an obvious need for revolutionary media in the black community, states editor John Watson in explaining the creation of a new newspaper for the black community.

Titled the Inner-City Voice, the new paper which has already printed two issues expects to become a weekly with a circulation of more than 30,000 within a few months.

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“One never really contests an organization of existence without contesting all of that organization’s forms of language.”

--Debord, On the Passage of a Few Persons...

If capital must continually decompose and then restructure standardized communication in order to maintain just enough cooperation as is needed to ensure efficient production, then the defection from this campaign in favor of creating autonomous and “unreadable” modes of communication and dissent emerges as a viable, if limited, tactic. Language and communication become critical sites of anarchist critique and experimentation.

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JERUSALEM—The greatest thing that strikes you when you leave the Arab countries and enter Israel are the differences in the culture and the level of material wealth.

A Westerner feels completely at home in Israel. Miniskirted girls, wide avenues, traffic signs and lights, supermarkets and the complete freedom of the English language allow one to freely mix and mingle here. The abundance of discotheques, theatres, transportation facilities and lush parks provide good and easy-to-get recreation.

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Various technical and resource problems delayed publication of this issue of the FE (see article elsewhere). Hence, the sweep of events in the Middle East has already rendered some of the focus and information in this article a bit out of date. Atrocity has followed atrocity, and the situation has become even more dangerous and volatile. With the introduction of Reagan’s “peace initiative,” a scheme which would essentially leave the Palestinians at the mercy of their old nemesis King Hussein of Jordan, Begin and his supporters have proved themselves utterly intransigent by launching plans for further settlement of the West Bank by Zionist settlers. Begin, his face red with excitement, declared before Israeli parliament in a Hitler-like tirade, “The world will witness whose dedication will win...If someone tried to take Judea and Samaria [the West Bank) from us, we will tell him: Judea and Samaria for the Jewish people for all generations.”

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By the last half of the nineteenth century, working conditions in American factories, mines, and mills were deplorable. Industrialists were ruthless about making money at the expense of the health and safety of the workers. They looked upon their employees as less than human.

No labor laws existed to protect the men, women and children who poured into northern industrial centers. The cheapest of laborers were the freed slaves from the South and poor immigrants from all over Europe, escaping famines, devastating wars, and repressive regimes. Slavery was officially outlawed in the United States, but the treatment of black people was little different than before the Emancipation Proclamation.

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In my last column [FE #21, January 1–15, 1967] I enumerated some of the more outstanding malfeasances on the part of the leading representatives of the jazz critics’ Establishment. In what follows I intend to go beyond mere individuals, to make clear the pivotal institutional role played by DOWN BEAT magazine in helping to perpetuate the reign of white supremacy in jazz.

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Why the critics?

That is a question I get asked fairly frequently, by friends and correspondents who want to know why I expend so much energy on this particular aspect of the jazz Establishment.

The answer is really quite simple. My point of departure is to analyze what services the jazz critic might be performing for the music (which means for the musicians and their audience). I then compare this with the actual accomplishments of the critics. Since the balance thus struck is so wholly unfavorable to the major critical figures—Leonard Feather, Martin Williams, Dan Morgenstern, Michael Zwerin and the entire editorial staff of DOWN BEAT—I conclude that it is my duty to the jazz community to expose (a good 1930s leftist word) their failings, to prevent them from leading their readers even further astray.

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When Cecil Taylor spoke at a panel discussion at the University of Pittsburgh prior to his concert there, it apparently came as a shock to his collegiate audience that he and his fellow musicians no longer wish to undergo the demoralizing experience of presenting their music in nightclubs. How could the musicians not want to play in nightclubs? the students wanted to know. What was going to happen to jazz then?

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A few weeks ago the New Yorker’s man in jazz, Whitney Balliett, went out to the Coast to catch the Monterey Festival. While he was there he spoke with some of the “workers’ aristocracy” of jazz, the white musicians who make their living primarily from studio gigs.

Like all aristocracies, this one has worked out a complete ideology which “justifies”—in its own collective mind, at least its privileged class position. Thus Balliett:

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The men who play the new styles in jazz frequently tell me that they don’t like to call their music that—they see nothing desirable in having their art identified with the gin mills, criminal activities, hustling, and ruthless entrepreneurship and exploitation that characterize the jazz scene today. (Or for that matter, yesterday. Haven’t black artists always been forced to create in these circumstances?)

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Often when I say “she” or “you” I mean me.

I mean me when I tell you this story but I will say “you.”

I will generalize. I will refer to the broad category that fits my body. The broad category to which my body belongs, in which it has been placed or can be seen from above. The specifics have long been beside the point. I do not agree to be myself.

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At 4:30 am, January 17^th, an earthquake...measuring 6.2 on the Richter scale hit Los Angeles. Everyone was suddenly awakened as the earth tossed the city around for thirty seconds or so.

The damage was enormous. Power was temporarily knocked out, an apartment building collapsed killing 16 people, freeways fell to pieces and a motorcycle cop went flying off one of the collapsed ramps to his death. Because it was early morning the day of the Martin Luther King Day holiday, only 61 people were killed instead of the hundreds which could have been if it had struck in the middle of a normal work day.

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In mid-December, an organization of Lakotah Sioux issued a declaration of independence claiming to unilaterally break treaties with the US government going back to 1868. “We are no longer citizens of the United States of America and all those who live in the five-state area that encompasses our country [Nebraska, South Dakota, North Dakota, Montana, Wyoming] are free to join us,” activist Russell Means said at a press conference.

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Note: The following article by The Unknown from Seattle was originally written as a contribution to the North American Anarchist newspaper as part of a debate on “the land.” The NAA agreed to print a section of it which has not been done to date; we gladly print it in its entirety. Communications to the Unknown may be sent to Box 81091, Seattle WA 98108.

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The newspaper you are now holding is the last issue of the Fifth Estate--the last issue of a failing capitalist enterprise, the last issue to appear in coin-boxes, and the last issue produced as a commodity dependent on advertising revenue for support, and the hiring of wage workers for its production.

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On a chilly Friday morning, November 6, 1992, a slight drizzle dabbed the sidewalk where the night before a man had been bludgeoned to death by a gang of Detroit policemen.

The story on the street was spreading faster than any newswire—how a black motorist was stopped and dragged from his car by two white cops who took turns brutally beating the unarmed man; how five other officers soon arrived to assist in the merciless discipline of a dying “suspect.”

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The Symbionese Liberation Army (SLA) undertook a series of urban guerrilla actions in 1973 and 1974 that made world-wide headlines. The assassination of a reactionary school official, the kidnapping of a wealthy heiress and a bank appropriation set off a massive search for the small band. Of the original ten SLA members, six were executed by the Los Angeles Police and the remaining four were captured and sentenced to multiple life imprisonments. The latter—Russ Little, Joe Remiro, Bill Harris and Emily Harris—were interviewed last year by the Bay Area Research Collective (BARC, P.O. Box 4344, Berkeley CA 94704) and related their experiences and assessments of the SLA experience. The Fifth Estate has excerpted sections of that interview and although the full text is not presented, we hope that the major thrust of their feelings and ideas is maintained. The entire interview is available from BARC or Ammunition Books for 75 cents.

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The League of Revolutionary Black Workers Demand:

1. Halt UAW racism. 50% representation for black workers on the international executive board and international staff. Open skilled trades and apprenticeships to black workers. Recognition of the League of Revolutionary Black Workers and its affiliates as the official spokesman for black workers.

2. That the grievance procedure be completely revised so that grievances are settled immediately on the job by workers in the plant involved.

3. Elimination of all safety and health hazards in the auto industry. This means cleaning the air in the foundry and redesigning dangerous machinery and production cut backs on hazardous jobs.

4. The union must fight vigorously against speed ups and increases in production standards. The companies should double the size of their work force to meet the present workload.

5. The union must fight for a five-hour work-day and a four-day work-week. The profit level of industry is high enough to allow for more leisure time for workers.

6. The union must fight for an immediate doubling of the wages of all production workers. Since 1960 wages of black workers have risen less than 25%. Yet profits have risen more than 90%.

7. A cut in union dues. The union already collects $10 million a month from its members and can’t defend the rights of the workers.

8. The end of the checkoff of union dues. While the checkoff was progressive in the ‘30s, today it prevents workers from disciplining poor union leadership.

9. That all UAW investment funds be used to finance economic development in the black community under programs of self-determination.

10. That the union end its collusion with the United Foundation. Black workers should contribute only to black controlled charities working for the benefit of the black community.

11. That all monies expended for political campaigns by the UAW be turned over to the League of Revolutionary Black Workers and the Black United Front for black controlled and directed political work.

12. That the UAW end its collusion with the CIA, the FBI and all other white racist spy institutions.

13. That the UAW end all interference in the political, economic, social and cultural life of the black community.

14. An end to the harassment of black revolutionaries and their leaders by the auto companies with UAW cooperation.

15. That the UAW use its political and strike powers to call a General Strike to demand:

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The role of religion within authority’s Holy Trinity--the compulsive family, religion, and the State--with its blatant anti-sexual ideology and its historic record of service to totalitarianism, is easily understood as an institution of repression, and most revolutionaries quickly reject overt religious mysticism of all varieties.

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The following are quotations from a variety of “leftist” politicians and organizations:

“Any romantic attachment that goes beyond the distance, outside the marriage bed, is actually a statutory offense, worth six months in jail for the over eager young man...”

-- from Women in China by Helen Snow

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“A revolution is an exceptional event that will alter the history of societies, while changing humanity itself. It is a rupture in time and space, where humans live between two periods: the period of power and the period of revolution. A revolution’s victory, however, is ultimately achieving the independence of its time in order to move into a new era.”

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Although the phrase, “The first casualty in war is truth,” has been aptly realized in the media coverage of the Persian Gulf war, the truth is often the last casualty as well. In the case of America’s military adventure in Vietnam, numerous Big Lies about that conflict continue sixteen years after the U.S. defeat.

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It’s happening again. The tableau that has appeared so many times before resurfaces with bands playing and citizens cheering as the imperial army marches off to war. Now, an additional note is added to the traditional spectacle of men in uniform: departing women, with packs and rifles kiss weeping husbands and children goodbye.

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The liberation of the word & the liberation of the world are codependent. Revolutionary writing should not be grammatically pure, disinterested or unpoetic. It should not be written from the cold vantage point of an absent silent god.

Anarchists we call ourselves—and yet we still gaze out towards Papa/Mama Syntax for permission, still we coo. We control & we deny. We hold back the shy yet flickering wet orifice of imagination’s best trickster—Wildness.

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a review of

The Weight of The Stars: The Life of Anarchist Octavio Alberola. Written and illustrated by Agustin Comotto. Translated from Spanish by Paul Sharkey, AK Press 2022

“These notions of Marxism and anarchism have shown themselves not to be serviceable enough, as circumstances have changed and so they need re-elaborating, amplification, or amendment.”

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reviewed in this article

Guy Debord—Revolutionary by Len Bracken, Feral House, Venice, California, 1997, 267 pp.

This book has much to offer. One of its stated purposes is to make the life and writings of Debord accessible and I am happy to report that in this Bracken has succeeded.

Guy Debord (1932–1994)

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Last July, the so-called United States celebrated the 50^th anniversary of the Apollo 11 moon landing while another fascination with space was playing out badly. It was with zero irony that the supposed “giant leap for mankind” was recognized while the Kanaka Maoli people of Hawaii’s struggle to prevent a promised miracle of science from desecrating their land was ignored.

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You should have seen Louie’s face. He was beaming like the hero they were trying to make him out to be.

Boy, were they laying it on him. The Detroit News (which pitches: “If You Read The News, You Know” ) had named him Policeman of the Month crediting him with having broken up “a dope ring.’

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a review of

Utopian Prospects, Communal Projects: Visionary Experiments in Literature and Everyday Life, Andy Sunfrog Smith, self-published, 2000, 65 pages, $12. Available from the author, post paid, at 1467 Pumpkin Hollow Rd. Liberty, TN 37095

As the late Middle Western novelist, Meridel Le Sueur, once advised her younger anarchist biographer Neala Schleuning in relation to a question about her philosophy, “That’s the problem with you intellectuals. You constantly want to analyze. Life’s not like that. I’m not like that. Writing isn’t like that. Not real writing. You have to be in a wholly different place. Get rid of those dead, lifeless forms! How do they teach you to write? Beginning, middle, end? That’s not life. And that’s not writing.” As the illusions of objective scholarly research fell away at Merida’s prodding, Schleuning’s approach was liberated from the weight of academic posturing, and the insightful nature of her understanding of the subject of her thesis was heightened accordingly.

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Ludlow miners, 1914

This article is the third in a series of counter-bicentennial pieces dealing with the more sordid and less-acknowledged incidents in America’s 200-year-old history.

The era from 1865 to 1919 signaled an important, pivotal development in America’s economy. It was a period in which the dominance of individual, agrarian-based capitalism, often characterized as “rugged individualism,” was overthrown by the organized forces of corporate monopoly capitalism, bringing about irrevocable economic and social transformations in the lives of millions of people.

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a review of

“An Injury to One” (2002). Written and directed by Travis Wilkerson

Tensions in Butte, Montana between the Anaconda Copper Company, unions, and workers had been becoming more serious for about a decade when 164 men perished in the grisly Speculator Mine fire of June 1917.

When it became clear that the disaster was due to Anaconda’s contempt for safety regulations, 14,000 strikers took to the streets. However, the US had just entered the First World War and copper was a vital part of munitions production, so labor disputes in Butte were construed as a threat to national security. Newspapers owned by the bosses denounced the strikers as “pro-German” terrorists, and Federal troops soon arrived to quash unrest by putting Butte under martial law and forcing the miners back to work.

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Critiques of economic development, material progress, technology and industry are not a discovery of the Fifth Estate. Human beings resisted the incursions from the earliest days, and many of North America’s best-known 19^th century writers, among them Melville, Hawthorn and Thoreau, were profound critics of the technological society. Since these writers became “classics of American literature,” and therefore available to all interested readers, defenders of official views have had to carry on a “cold war” against them. The most powerful weapon has been the classroom assignment; most students attacked by this weapon never again cracked a book by a “classic.” Other ways of “conquering and pacifying” the classics have been more subtle: the authors were maligned, the works were misinterpreted, the critiques were diverted and at times inverted.

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“The words that describe what’s happening in the Haight this summer are ‘Free,’ ‘Now,’ and ‘Do It.’”

The most spectacular development of recent months is the acquisition of a 482-room hotel in the area south of Market Street by the San Francisco Diggers. The hotel, located at 256 Sixth Street, was condemned some time ago by the City.

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I saw Maharishi speak here January 21^st and then went up to the Plaza Hotel that evening (I’d phoned for tickets to his organization and on return telephone call they invited me up, saying Maharishi wanted to see me)... so surrounded by his disciples I sat at his feet on the floor and listened while he spoke.

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The postal workers’ strike exploded like a time-bomb across the nation. Beginning in New York City, and spreading quickly through every major city in the country.

The massive revolt defied court injunctions, Presidential orders, and the miserable sell-outs in the union bureaucracies. The workers were beyond the control of legal actions and of their union “leadership.” They went out to demonstrate that they intended to win.

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In 1968, Kiyoshi Kuromiya designed this poster and sent orders by mail. He was arrested by the FBI and charged with sending indecent material through the Post Office. Later that year, after beating the charges, Kuromiya defied the authorities by handing out 2000 of the posters at the Chicago Democratic Convention.

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I would like to invite your participation in an event that will remember Alexander Berkman on the centenary of his attempt to assassinate Henry Clay Frick during the Homestead Strike of 1892. This will not be an event glorifying the assassination of individuals as a political method, a technique Berkman himself came to question long after his attentat against Frick. Rather, the purpose will be to remember Alexander Berkman—the person, the author, the radical—on the 100^th anniversary of the most important day of his life.

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“There is no individuality without liberty, and liberty is the greatest menace to authority.”

—Emma Goldman, The Individual, Society and the State (1937)

The figure of Emma Goldman still looms large on the anarchist horizon, not least because of her passion for proclaiming the liberty necessary for individuality to flourish as an essential ingredient of any social revolution worthy of the name.

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The dangerous MC-5, Detroit’s heroic “avant-rock” band considered by many the musical electronic equivalent of STP, has been run through the mill lately and may yet come out of it smelling like roses.

Their current trouble started when Uncle Russ Gibb booked the San Francisco rock band the Jefferson Airplane for a Ford Auditorium concert the end of June. The MC-5, who had been promised an appearance with the Airplane when they arrived in Detroit, were informed that they couldn’t play the concert without joining the American Federation of Musicians local in Detroit.

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Movement people should be familiar with the “conspiracy trial,” Its a favorite government tool to stop a radical movement it can no longer absorb or put to good use. It parallels the “Committee Hearing” but doesn’t get the same publicity.

Conspiracy trials are easy for the government to initiate. They usually deal with planning to break a law, a useful device since it is bound to catch the leaders who are the planners. Leaders have to talk to their constituents in court if the plan is to break the law.

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The following is from a translated text of a videotaped message from Subcomandante Marcos, spokesperson for Mexico’s Zapatista National Liberation Front, to a January 1997 Freeing the Media teach-in in New York City.

We’re in the mountains of southeast Mexico, in the Lacandon Jungle of Chiapas, and we want to send a greeting to our brothers and sisters in independent communication media from the U.S. and Canada.

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