Full list of texts

The Gran-de Ballroom gets better and better every week, and it’s my own opinion that anyone who doesn’t go out there at least one night a week is just crazy. Frank Fox says so too. Likewise the MC5 keeps taking off for further spaces—this is the best thing that could have happened to them. Any band that is based on human principles rather than strictly musical ones, i.e. any group of musicians who are concerned with exploiting their own possibilities for expression as human beings with instruments and not just as guys playing “tunes,” have to have the opportunity to work together over an extended period of time, and in front of a sympathetic audience too.

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Progress Report: The first reorganizational meeting of the Artists’ Workshop Society took place as scheduled on November 22, with encouraging results. That is to say, enough people expressed working interest in continuing the work of the Society that the Artists’ Workshop will endure—and, hopefully, keep growing.

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Detroit is full of openings! Last weekend: Uncle Russ’s Gran-de Ballroom broke into the open with the MC5 and the High Society’s light show, both of which were just as they have to be—TOO MUCH. (William Blake: “Enough! or Too Much.” Charles Olson: “We must have / what we want.”) We are getting it. The Gran-de will be the place again this weekend, and hopefully for a lot more weekends, with the pounding MC5 and the great new band from Lansing, the Woolies, who just recorded their first sides on the West Coast last month with one of the heaviest guitar players anywhere, Ron English, featured. The High Society will be there too.

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The WSU Artists’ Society’s fall concert/reading series is now set and will continue with a concert by the Contemporary 4 at the Community Arts Auditorium Thursday, November 3, at 8:30 p.m. Charles Moore will introduce his new band, featuring Kirk Lightsey, piano, and Ron Johnson & John Dana, the regulars. Former pianist Stanley Cowell left Michigan for New York City in August and has been working with Marion Brown (including a recent recording session for Pixie) among others. The concert will be introduced by yours truly. There is no admission charge per se, but a donation of $1.00 will be appreciated.

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News of a new independent artists’ group in Detroit: The Instage, a gathering of musicians, dancers, painters, and others to present their own work in their own context, has been drawn together by pianist Kirk Lightsey, bassists Ernie Farrow and Dedrick Gover, trombonist George Bohanon and others. Now in search of their own performing facilities, Instage will present a program of its members’ work at the Community Arts Auditorium, Wayne State University, on Sunday, October 2, at 8:00 p.m. Featured will be paintings by Gloria Bohanon and seven others; a dance event featuring Barbara Willis, Don Hellimus, and Jackie Hillman, backed by Lightsey’s band; and a concert of music by the groups of Ernie Farrow, George Bohanon, and Harold McKinney. Tickets are on sale for $1.50 per person, $2.50 for couples, from Instage members and at the WSU box office.

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THE MFS MESS: Emil Bacilla’s article on the Midwest Film Society last issue touched off a lot of under-the-table shit, which was, even weirder since Emil was in SF when the paper came out and couldn’t see what was happening. Briefly: Noel Cooper of the MFS contacted me through Peter Werbe about screening the MFS films at the Artists’ Workshop, which was for me a happy occurrence and was immediately implemented. JASON AND THE ARGONAUTS was shown at the Workshop Saturday, September 17, to a good-sized crowd, and flyers were passed out advertising the MFS fall lineup at the Workshop. Everything was groovy.

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I want to take this space this week to tell you of some of the work the Detroit Artists’ Workshop is doing, because I think you should know about it in as much detail as I can give you here. I have been home two weeks now, and there has been such a beautiful mass of forward action going on here that I have been kept alive by it and kept happy to be a part of it again.

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It’s good to be back with you again. The Festival Sunday was one of the most beautiful things I have ever experienced, and I think a lot of the people there had the same experience as myself. There were SO many people there, all day long, And everyone was really grooving. Joseph Jarman started the Festival off just after one o’clock with a spoken introduction and music trumpeter Peter Bishop (also of Chicago) and bassist Doug Riggs. The readings began with Dave Sinclair, J.D. Whitney, and Mike Litle, all of whom opened the people up for the biggest human sound ever to come out of Detroit—the Lyman Woodard Ensemble of the day, a totally integrated musical blast made up of Lymie at the organ, Jim Semark, piano and trombone; Ron English (Lansing), guitar; Doug Riggs and John Dana, basses; Byron Lyles (Lansing), drums; Charles Moore, cornet; Pete Bishop (Chicago), trumpet; Joseph Jarman (Chicago), alto saxophone and clarinet; David Squires, tenor saxophone; Jerry Younkins, tambourine; Bud Spangler (Lansing), tambourine; and, after the music started getting GOOD to me, I had to run home and get my own alto saxophone so I could get in there too.

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“any image around which any people concentrate & omit themselves is a usable one just because it is theirs.”

—Charles Olson, Apollonius of Tyrana

I am talking to you people who read this paper. Are you there? What then do you want? You have it in your power now to create a vital living situation here in Detroit and make it in your own image—-if you have the will & commitment to such a situation. If you don’t care if Detroit ever gets to be such a place, it won’t. It will stay just as it is now—a burgeoning police state, with isolated groups of people fighting each other and ignoring each other but never working together to make a decent place of this place. And this newspaper, which could be so great and such an important community newspaper, will continue to flounder because its editor gets so little help, and there is so little response to calls for help, aid, participation, etc., that are issued in it. I am thinking particularly of the Artists’ Workshop Society, which is part of my own life, and which is about to die out because my wife and her few helpers have received so little support from you while I’ve been gone these last four and a half months—just when they’ve needed help most. If you want to have Detroit as a real, alive, worthwhile place to live and work in, you’ll have to make it that way yourselves, since the city rulers aren’t going to help, they’ve proved that, and the commercial interests never want to make a place for something new and vital but will capitalize on it when it appears and grows. You dig? What I mean is that we are all going to have to start working with each other on all fronts, help each other out, and take advantage of what are our local possibilities—like this newspaper, like the Artists’ Workshop and the West Central Organization, the Concept East Theatre, the Detroit Committee to End the War in Vietnam, the SDS Free University, Kenneth V. Cockrel for state representative, etc., etc. —all of these are manifestations of the same essential concerns, that Detroit be a vital human place for all of us.

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The most important event of the last few weeks was a concert by the Joseph Jarman quartet from Chicago. This was Joseph’s second concert in Detroit. The first one, on March 18 in the Lower DeRoy Auditorium at WSU, was such a success (not financially, certainly, but meaning that the music was so beautiful that the people who came to hear it wanted to hear more of it) that the WSU Artist’s Society decided to sponsor these Chicago musicians again. With Joseph Jarman, who plays alto saxophone, bells, whistles, & other musical instruments, will be Christopher Gaddy on piano; Charles Clark, bass; & Thurman Barker, drums. A ‘delegation” from the Artists’ Workshop fortunate enough to be in Chicago on May 13 to hear Joseph Jarman’s concert entitled “TRIBUTE to the HARD CORE” at the University of Chicago & will not soon forget that historic performance.

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On the 24^th of February, John Sinclair was sentenced by Judge Groat of the Recorders Court to six months in the Detroit House of Correction and three years probation for possession of marijuana. He’ll have to go before Judge Krause on Thursday, March 3, to be sentenced for violation of probation. This is why he is not writing the column today. Hopefully he will be able to continue writing for the Fifth Estate when (if) he goes to the “House” as they call it. I will help him out as well as I can with the local news items that he should tell you about.

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There’s a lot of very interesting “cultural activity” coming up in the next couple months in Detroit, but nothing definite is set as far as dates and times, so I’ll try to give a few teasers and come back with more specific information next time.

The success of Andrew Hill’s and Marion Brown’s concerts for the WSU Artists’ Society has spread around New York and, as a consequence, a number of forward New York musicians are writing about arranging concerts for themselves here in the immediate future. Pianist Paul Bley, one of the original members of the Jazz Composers Guild and the possessor of a number of fine recordings (among them FOOT LOOSE, on Savoy; BARRAGE, on ESP-Disk 1009; and appearances with Jimmy Guiffrie on Columbia and Verve labels) may be coming toward the end of this month. Then another exciting pianist, Burton Greene, another of the Jazz Composers Guild, whose ESP album will be out next month, will be here in early March, featured with the Detroit Contemporary 4. So those are things to look forward to, music lovers.

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The Jefferson Airplane concert will be in Ford Auditorium Friday, June 30, at 8:30 p.m. Tickets run from $3.00 to $4.50 and can be got at Grinnells, Discount Records, the Ford Auditorium box office, and other places, including probably the Grande Ballroom. Featured with the Airplane will be the MC-5, the Rationals, the Apostles, and Ourselves though I’m not sure why all of those bands are Necessary.

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Lots of good music coming up for the summer, June 8^th, the new Spike Drivers will present a huge three-ring circus type show at Community Arts Auditorium, WSU, featuring the MC-5, the Passing Clouds, the Magic Veil Light Company, classical guitar, poetry by this correspondent, a karate exhibition, psychedelic ping-pong by Billy Reid, mantra chanting with musical accompaniment, and a story line by Larry Cruse and Sid Brown to tie it all together. Tickets at $1.50. Sponsored by Trans-Love and the WSU Artists’ Society.

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A lot has happened since the last time I wrote this column, and I still don’t know what’ll come of it, but all we can do is ride it out and see what we can do with it. My own situation has changed a great deal even though I certainly don’t feel any different as a human being, but it sure is weird to walk or drive down the street and have strangers smile and wave because they saw me on TV and were given to believe that “John Sinclair is the high priest of the hippies in Detroit” or whatever.

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An Open Letter to George Romney

Dear Sir:

As a free man and a revolutionary, and as a citizen of the state of Michigan with strong roots in my own Michigan community of Detroit, I’ve been interested to follow your recent career as a “national” politician. I haven’t really been too interested in your work as governor of the state of Michigan since that office has little or no relevance to my life nor have I ever been very interested in the office of president of the United States, since that office has even less relevance to my life. But the combination of events that has marked your entry into the national presidential race scene has captured my attention and my imagination, and I wanted after yesterday to say something about the whole thing.

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The news this time seems to be that many people are getting busted for grass in a lot of funny ways and don’t know what to do about it when it happens. I have gone through three marijuana arrests and two “trial” scenes so far (including probation since December 1964 and 6 months in the Detroit House of Correction in 1966) and have come to learn some things about (1) police methods, aims and goals; (2) court procedures, including attitudes of judge, prosecutor and jury); (3) lawyers and how they operate; (4) the bail bond system; and (5) what you can do to get through all these dangerous traps relatively unharmed. It is to the last point that I want to speak here, in hopes that it might help some young people who are “in trouble with the law” over their marijuana smoking.

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First, thanks to all of you who responded to our plea for help last issue—the Defense Fund is growing slowly, and hopefully, I’ll be able to turn it all over to our long — suffering attorneys when things get rough. Again, if everyone who reads this and is at all sympathetic to marijuana smokers who are presently heavily penalized by Michigan’s, cruel and unusual presently statutes, would sit down and send off a dollar or whatever you can spare to the John Sinclair Defense Fund, we could easily raise enough money to cover expenses in the trial.

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Editor’s note: Brother Sinclair’s Coatpuller column is re-printed here exactly as it appeared in this paper one year ago. It was written at the height of the July Rebellion and contains one of the best impressionistic sketches of that week.

You know that it would be untrue

You know that I would be a liar

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I was speaking of the change taking place in this nation, and would say that in America the change is most evident in two sectors or subcultures of the civilization. In the black stinking ghettoes of the poor and exploited, and in those sections of cities and land where the enlightened young have gathered for all intents and purposes outside the rigid general social framework of this America. These two sectors illustrate the two “major steps” outlined in this column last time.

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It looks like straight people will do just about anything in their power to keep the love organism from growing and spreading, just because they can’t “understand’ it and don’t know what’s happening in the world around them. If you haven’t noticed, straight people are always putting love people down, sending their kids to psychiatrists to get “straightened out, calling the police on their kids, beating hippies who try to start honest and loving business operations, stealing from hippies and terrorizing their homes and gathering places, hitting and kicking people who have no eyes to fight back, and things like that. I’m tired of it, for one, and I just wish these people would wake up and start seeing what their stupid lives are all about and how vile they are being in their relationships with each other and with us.

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Live (i.e. alive) musical activity continues to grow here in Detroit, and on its own terms, which makes it all the more valuable. Pianist Andrew Hill made his first concert appearance in this part of the country here last month, under the sponsorship of the WSU Artists’ Society and his Detroit-based agent, Lutz Bacher. In doing so Andrew also became the first major artist of international stature to be sponsored by the young student organization (only six months old), and the first such musician to undertake a totally cooperative musical venture outside the New York Area. The most significant extra-musical fact about Andrew’s concert is that he (& Bacher) worked directly with the society, on a person-to-person (rather than businessman-to businessman) basis, with music rather than money as the determining factor in the arrangement. This is the only way the rotten music-as-business situation is going to be overturned, and it must be revolutionized—and fast—if the music is going to be as an art form otherwise all anyone but the most privileged listeners will be able to hear in public performance will be the tired “entertainment” music that clutters the “jazz clubs” now.

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“Do you love it, do you hate it

There it is, just like you made it”

—The Mothers of Invention

You have to live in the middle of the city to know what is really happening there—otherwise all you have to go on is what the “newspapers” and people tell you, and they very definitely have a vested interest in keeping the real news from you. The official responses to the Detroit insurrection have very little to do with what was actually happening, and people will soon find that out, although it may prove to be too late to do them any good.

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You know that it would be untrue / You know that I would be a liar / If I was to say to you / “Girl, we can’t get much higher”—/ Come on baby light my fire / Come on baby light my fire / Gonna set the night on/FI-YUR

—“Light My Fire,” The Doors

“Light My Fire” rises through the radio ranks for weeks and, when it hits number one on the stations, the people respond and burn the city down. Or play Archie Shepp’s “Fire Music” album as background music for the Detroit purification: the scope and feeling of the people’s mood is there; an elegy for Malcolm X.

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It shouldn’t be news to anyone--but it probably is--that the local gestapo is responsible for ending the performance of LeRoi Jones’ “the toilet” and “the Slave” at the now shut-down Concept East Theatre. The plays, directed by Woody King (who is now back in New York) and performed brilliantly by such Detroit actors as Sam Blue (Toilet) and Harrison Avery (Slave), began their run in August, made it through a couple of weeks, and then were brutally closed by the guardians of law & order--and “morals”--in our fair city.

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The Sunday night sessions at the Artists’ Workshop (4857 John Lodge) have been getting better both in audience attendance and in presentation. Last Sunday’s (July 17) featured poet Tom Mitchell and the music of the Workshop Music Ensemble, this time composed of Lyman Woodard on organ, Charles Moore on drums (!), Jim Semark on piano & trombone, and Doug Riggs on bass and piano. You should have heard the sounds this band produced! Sunday the 24^th of July will feature poet Mike Little and the Workshop Music Ensemble again. The Ensemble, in case you have been wondering about it, is the new houseband of the Workshop, and is composed of whoever happens to be playing that particular night. You can be sure the band will never sound the same twice. And if you don’t want to miss their most exciting session, you should be at the Workshop every Sunday night at 7:00 p.m. (Admission is free.) There will be a very important happening, a FESTIVAL OF PEOPLE, at the Workshop on August 5. (See details on that in the special article on the festival in this issue).

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There seem to have been a lot of very hip things going on in Detroit lately, though from my (disad-)vantage point I can only read about them or hear of them on the radio. I heard very beautiful things about the Archie Shepp et al. concert last month—anyone who missed the happenings in Ann Arbor should be locked up here in my place. Archie brought trombonist Roswell Rudd, the strongest man on his instrument today, from New York City; bassist Charlie ** Haden, now living in San Francisco after getting straight at Synanon; and drummer Beaver Harris, of NYC, with him for the big Ann Arbor affair, and all reports indicate that they all got into some very moving music. After the concert proper a mammoth session took place under Ron Brooks’ auspices—participating were some of the strongest voices in the country—Rudd & Harris of NY; Haden of SF; altoist Joseph Jarmon, tenor saxophonist Fred Anderson, trumpeter Bill Brimfield, bassist Charles Clark, and drummer Steve McCall, all of Chicago (they had played, under Jarmon’s name, for the WSU Artists’ Society the night before); and cornetist Charles Moore and drummer Danny Spencer of Detroit. These men worked in a lot of combinations, including 2 bass-2 drums teams (Moore’s setting), and enough music was made (as I hear it) to fill the whole midwest.

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a review of

The Operating System: An Anarchist Theory of the Modern State by Eric Laursen, Foreword by Maia Ramath. AK Press 2021

Politics in the U.S. are so skewed to the right that tepid reformers such as Congressional Representative Alexandria Ocasio Cortez (AOC) and Senator Bernie Sanders are characterized as the radical left for advocating universal health care and free college tuition.

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“Winter is yours, Spring is ours!”

—Solidarity

Painted across a thousand walls in Poland, this promise reminds us that the democratic upsurge there is far from buried. A certain phase of the movement has ended. When the movement reappears its form will be different, advanced by the lessons of a year and a half in the open air, and by the lessons of December’s defeat.

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FE Note: The article reprinted here first appeared in the Armed Forces Journal, June 7, 1971, and is excerpted here from The Movement Against the War, Ramparts Press, 1972. Col. Heinl’s hawkish military columns were a regular feature in the Detroit News during the 1950s and ‘60s.

From original Introduction to article: When Colonel Robert Heinl published this article in the Armed Forces Journal in June 1971, it drew national attention. Hints of near-mutinous conditions among U.S. combat forces in Vietnam and in the fleet off its coast had occasionally surfaced in the press. There had also been some coverage of the week-long April encampment in Washington of a thousand Vietnam veterans, who had chanted pro-Viet Cong slogans outside the White House and hurled their hundreds of Purple Hearts and combat medals at the Capitol. But relatively few Americans were aware that by this time the anti-war movements at home and within the armed forces were often working in coordination, nor did many think of the U.S. military as close to “collapse.”

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The fear of communism comes with the notion that the State will take away our things, force us to share with unworthy neighbors, and leave us without self-determination. That contributes to why we need to replace communism with communalism.

To avoid old-school communism and the welfare office, the working-class and middle-class servants of post-industrial capitalism willingly suffer all sorts of indignities, while tolerating, for the global underclass, an unprecedented neo-slavery of staggering horror. A unipolar, neoliberal, global capitalism has emerged, and we face the accelerating influence of a global junta motivated by purely mercantile interests. The crushing one-world economic system has resuscitated the need for a revolutionary alternative; to counter the new boss, radicals might create a sustainable, communal opposition. To reclaim the communal alternative, we must un-hinge communism from its authoritarian baggage and purge forever the tendency to form vanguardist bureaucracies when voluntary, horizontal associations are all that we need. Abolishing wage work and private property, socializing all necessities such as food, land, and water: these demands continue the classic precepts of anarcho-syndicalism and libertarian communism. But today, we can extend these classic notions and envision an even more radical gift economy as the only alternative to capitalism.

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This man is not from KQA-TV as his camera indicates, but rather he is from PIG-TV. It is one of six portable video-tape units that Police Commissioner Johannes “The Lover” Spreen has wasted $19,000 of the taxpayers’ money on.
This little toy is used at demonstrations to provide photographic proof of police actions and “individuals engaged in the commission of illegal acts.”
The American Civil Liberties Union thinks that their use is probably unconstitutional. Next time you see one of them at a demonstration put your picket sign in front of it or stand in their way, but be careful not to knock one to the ground because they are very expensive and break easily. Photo by A. Gotkin.

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There is a growing movement in this country to end the exploitation and oppression of the people in our own country and the people of the world. As it grows, so do the attempts to squash that movement and its supposed leaders.

The latest attempt is to blame the trouble that arose on the November 15 march on Washington on a conspiracy of the leaders of the New Mobilization Committee.

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Monument to the anarchist Haymarket martyrs, Waldheim Cenetary, Chicago

Last issue, the Fifth Estate announced a ceremony where the famed Haymarket Martyrs Monument in Chicago was to be declared a federally designated National Historic Landmark. Unbeknown to us, there had been intense agitation by local anarchists against this. G.L. Doebler attended the dedication ceremony and his report makes clear why the opposition was so intense.

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(Left photo) From left to right: Jimmy Carter, Gerald Ford and Tricky Dicky

(Right photo) From left to right: Nelson Rockefeller, Jimmy Carter, Happy Rockefeller, Muriel Humphrey, Nancy Kissinger, Walter Mondale and Henry Kissinger

Never is such joy brought into the homes of so many people as when a high-ranking state official decides to pack his bags and catch a one-way train to the never-never land.

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Nationalism was proclaimed dead several times during the present century:

—after the first world war, when the last empires of Europe, the Austrian and the Turkish, were broken up into self-determined nations, and no deprived nationalists remained, except the Zionists;

—after the Bolshevik coup d’etat, when it was said that the bourgeoisie’s struggles for self-determination were henceforth superseded by struggles of workingmen, who had no country;

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Industrialized nations have procured their preliminary capital by expropriating, deporting, persecuting and segregating, if not always by exterminating, people designated as legitimate prey. Kinships were broken, environments were destroyed, cultural orientations and ways were extirpated.

Descendants of survivors of such onslaughts are lucky if they preserve the merest relics, the most fleeting shadows of their ancestors’ cultures. Many of the descendants do not retain even shadows; they are totally depleted; they go to work; they further enlarge the apparatus that destroyed their ancestors’ culture. And in the world of work they are relegated to the margins, to the most unpleasant and least highly paid jobs. This makes them mad. A supermarket packer, for example, may know more about the stocks and the ordering than the manager, may know that racism is the only reason he is not manager and the manager not a packer. A security guard may know racism is the only reason he’s not chief of police. It is among people who have lost all their roots, who dream themselves supermarket managers and chiefs of police, that the national liberation front takes root; this is where the leader and general staff are formed.

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Every oppressed population can become a nation, a photographic negative of the oppressor nation, a place where the former packer is the supermarket’s manager, where the former security guard is the chief of police. By applying the correct strategy, every security guard can follow the precedent of ancient Rome’s Praetorian guards.

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Climate change, global warming, the undeniable and irreversible global-scale reconfiguration of global chemistry, from the land, to the water, to the sky, we are awash in a multitude of changes. Each one compounds and codevelops with the other crises of civilization. Loss of ecosystems, extinction of species, obliteration of the land that runs in tandem with production weaves with the consequences of hydrocarbon use.

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In another age, in a different lifetime, David Watson (under the name, George Bradford) wrote in the Spring 1984 Fifth Estate:

“While there may be reason for concern about computer threats to privacy, it is generally overlooked that deepening privatization, with a computerized television in every room as its apotheosis, is itself at least as great a threat—a threat which makes the police almost superfluous.”

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a review of

The Coors Connection, Russ Ballant, South End Press, Boston, 1992, 149 pp., $9.00

Not only does Coors make lousy beer, but it’s bankrolling just about every right-wing extremist group it can find.

However, Detroiter Russ Ballant doesn’t critique Coors products in his book. He goes straight to the Coors family’s sponsorship of far-right groups ranging from the Heritage Foundation to Pat Robertson’s snake-oil-and-politics caravan.

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On February 6, the Toronto Globe and Mail reported on the unsuccessful attempt by University of Ottawa Professor Denis Rancourt to eliminate the need for a grading system in his courses by awarding all of his students an A+.

The physics professor wasn’t the first to do this in academia, and like similar attempts, some dating back to the 1960s, was an effort to shift the focus and aim of the university back toward learning.

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“Your day has come. You may laugh, Mr. Sinclair, but you will have a long time to laugh. I sentence you to not less than and not more than ten years in the state penitentiary.”

—Judge Robert J. Colombo, July 28, 1969

John Sinclair is in the State Penitentiary at Jackson, Michigan, where he is supposed to spend the next decade.

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A few years ago on my last job I kept waking up in the morning with big bubbles in my head, eat a bowl of corn chips and go to work, checking out the storm sewers for leaks and patching them with quick- ‘ dry when I found one. I was very good and could hold my breath under sludge for seven minutes with my eyes open, but I had these bubbles in my head and that bothered me.

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“History’s political and economic power structures have always abhorred ‘idle people’ as potential troublemakers. Yet nature never abhors seemingly idle trees, grass, snails, coral reefs, and clouds in the sky.”

— R. Buckminster Fuller

This year marks the one hundredth birthday of the Industrial Workers of the World union, but it is also the seventy-fifth anniversary of an event that symbolizes everything that the Wobblies battled against: that is, the perverse concept that work is ennobling, righteous, empowering and essentially has no bearing on class relations.

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On May 16, 1871, one of the most famous monuments in Europe, the Vendôme Column celebrating Napoleon’s imperial regime, was toppled to the cheers of thousands. It was one of the largest public ceremonies of the short-lived Paris Commune, where revolutionaries controlled the city, establishing a free and egalitarian society that lasted a little over two months until suppressed by force.

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The recent mass suicide by 39 members of the Heaven’s Gate group created a fabulous media feeding frenzy of apocalyptic proportions. An occurrence as certifiably weird as this could not be confined to the check-out-counter tabloids: it was top-of-the-hour evening news wacky, cover of Time and Newsweek creepy. At the height of our virtual age, not even the scribes of comic books, pulp fiction and B-movies could cook up a scenario this fantastic.

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The United Nations Charter bans force violating state sovereignty; the Universal Declaration of Human Rights (UD) guarantees the rights of individuals against oppressive states. The issue of “humanitarian intervention” arises from this tension. It is the right of “humanitarian intervention” that is claimed by the US/NATO in Kosovo, and that is generally supported by editorial opinion and news reports.

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Chicago Mayor Richard J. Daley has strongly defended the actions of his police department during the Democratic National Convention. A specially prepared 77 page report issued Sept. 6 by the mayor’s office stated that the disturbances and police actions were provoked by demonstrators led by out-of-town “revolutionaries.” The report also stated that police used the minimal amount of force necessary to control the protesters and added that demonstrators were encouraged by the news media to prolong confrontations with the police.

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a review of

Daughters of Albion, Fontana (SRF-67586)

In these troubled days of “super” musicians, I find myself turning more and more to the finer facets of newly released albums.

Whereas previously I could really get into many lengthy virtuoso instrumental solos, I now discover that second-best Claptons are myriad and that no one plays Clapton as well as he, so why bother?

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I.

“Of the heavy losses we have sustain e d”, author-sentimentalist Charles Beaumont once said, “none can be regarded with more melancholy than the loss of the great movie theatres.” A generation ago they proliferated, today they exist like brontosaurus, slipping into the churning swamp of American history.

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FE Note: The essay below explores and criticizes the theory of the “decadence of capitalism,” a view held by several ultra-left sects here and in Europe. This view contends (a la Marx) that capital once had a dynamic phase in which it created the material base for a transition to socialism, but since the advent of World War I in 1914 has entered a decadent phase marked by cycles of war, reconstruction, depression and war again.

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The landscape of capitalism is a global one, existing everywhere with only minor variations. But this universal reign of the paycheck and the price-tag is approaching a state of crisis, becoming noticeable to all but those whose idea of politics excludes everyday reality.

Naturally enough, this crisis of the spirit, this nearing collapse of daily routine, is reaching its most acute forms thus far in America, capital’s most advanced arena.

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FE Note: This is an excerpted version of Halmos’ article which appears in Man Alone: Alienation in Modern Society (Dell 1962)

“One may judge of a King by the state of dancing during his reign.”

—Ancient Chinese maxim.

Artistic expression, even when dilettante, is one of the most satisfactory forms of objectifying and thus projecting inner tensions. The dance is undoubtedly the most ancient form of artistic expression; its unique position among the arts is guaranteed by more than mere seniority: as we have seen, the dance is essentially a cooperative art, an art of the group and not of the solitary individual. Though there are isolated examples of solo and couple dances among primitive peoples, they are not truly solo or couple performances; they presuppose the presence of singing and rhythmically tapping audiences who open the dance or who join in it later. In pre-cultural human society, dance must have been a universal form of expressing strong emotions collectively. Admittedly, there have been reports of some danceless peoples, yet so long as we accept testimonies from observers on animal-dances—e.g., Kohler’s reports that his apes had danced too—we cannot be far wrong in concluding that the dance was a universal play-form in pre-cultural communities.

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a review of

A Declaration of the Rights of Human Beings: On the Sovereignty of Life as Surpassing the Rights of Man, Second Edition by Raoul Vaneigem, Translated by Liz Heron. PM Press, 2019

“The freedom to live like a human being annuls the supposed freedoms of commerce and predation.”

So begins Raoul Vaneigem’s preface to the second edition of A Declaration of the Rights of Human Beings. Originally published in 2001, this second edition is his attempt to create a foundational document asserting the primacy of humanity against the dominance of commerce and state power.

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Our backyard bonfire crackles, dimly lighting the faces of neighbors and their dogs emerging from the shadows. Secure with our bottled water, red wine and campfire grill, over a dozen of us trade clumsily barbecued chicken, whitefish, and green peppers, along with vignettes of the worst power outage in American history.

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For more than 30 years, a secret arm of the Detroit Police Department was tracking citizens to “root out” and “expose” subversives. Their targets were political activists, Vietnam War opponents, black nationalists, labor unionists, civil liberties advocates and many others engaged in social, cultural and other “dissident” activities.

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According to a certain conventional wisdom, there has been an unfortunate disenchantment of the world, and what is desperately needed is that we rediscover and recreate an enchanted world. This is, however, at best a half truth, and perhaps even a dangerous one.

True, there is a battle between disenchantment and re-enchantment in which we must rally to the aid of enchantment. But there is also a war between contending forms of enchantment that already exist, here and now This is the ultimate world-historical conflict that must engage our creative energies.

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Reprinted from Off Our Backs (February 27, 1970), a Woman’s News Journal.

This article is the second in a series on birth control, compiled and presented with the aid of the Women’s News Co-op. The first article, which dealt with “the pill” and the recent unsettling facts brought to light surrounding its use, clearly indicates the necessity for information on other birth control means. Because of the capitalist media’s big push for the pill over the last few years, little information has been readily available on other birth control methods. We will endeavor, in this series, to rectify this situation.

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a review of

The Diary of Anais Nin: Vol. 1 (1931–1934) and Vol. 2 (1934–1939). Edited by Gunther Stuhlmann. Swallow Press/Harcourt, Brace & World. $6.95 each.

“Creation,” says Anais Nin, “is a source of action, a directive which alters the course of human life.”

And anyone who reads these diaries will find them revolutionary, destined to take their place with the great transcendental works.

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a review of

The Diary of Che Guevara, edited by Robert Scheer, Bantam Books, Inc., NYC, $1.25 paperback.

The recently-captured Bolivian diary of Dr. Ernesto “Che” Guevara has now been published on the heels of his death. Since his canonization is nearly in full swing, it will probably be a long time before an objective un-handwringing account of the broad “meaning” of the diary will be apprehended. So before I wax into his charisma myself, I should like to make a few remarks I consider important about the diary.

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“Let the politicos with their deals, their puerile ambitions, their desperate greed, their advance division of the spoils, not meddle with the revolutionary process. Let the hack politicians become revolutionaries if they will! But let them not transform the Revolution into degenerate politics, because too much of our peoples blood is being spilled today, and too many enormous sacrifices have been made to deserve such a worthless deception tomorrow.”

—Fidel Castro

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Each step in a revolutionary’s development is a result of a definite experience. The role of a revolutionary is forced on the man, the man who knows the truth and can do nothing but live it. Gaining this truth is the hardest part of the development, the continual struggle for truth; the truth may come early or late in life or it may never come at all, but until it comes the man struggles, he struggles with his fellow man, but most of all he struggles with himself, and he never seems to know why he always loses.

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If we are truly hungry we will eat anything, anywhere. In Aushwitz, philosophers killed each other for the bones in the gravel-pits. They ate the soup made of their brothers’ bodies.

If we are only moderately hungry we are rich. More than half the world’s population knows no other feeling but hunger. They spend their time searching for food, as we in America spend our time searching for the Apocalypse.

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In an airport recently, I idly watched the 24-hour cable TV news that they pipe into the waiting lounges. A big report on the current financial market smashup noted that the US stock market had tumbled 40% in less than 365 days; this, the telegenic blonde woman on the screen told me in her “No, I’m really serious, now” voice.

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“The Dogs Hold an Election” is a legend of the Brule Sioux.

We have a little story about elections. Once, a long time ago, the dogs were trying to elect a president. One of them got up in the big dog convention and said: “I nominate the bulldog for president. He’s strong. He can fight.”

“But he can’t run,” said another dog. “What good is a fighter who can’t run? He won’t catch anybody.”

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Everything (he kept saying) is something it isn’t. And everybody is always somewhere else. Maybe it was the city, being in the city, that made him feel how queer everything was and that it was something else. Maybe (he kept thinking) it was the names of the things. The names were tex and frequently koid. Or they were flex and oid or they were duroid (sani) or flexsan (duro), but everything was glass (but not quite glass) and the thing that you touched (the surface, washable, crease-resistant) was rubber, only it wasn’t quite rubber and you didn’t quite touch it but almost. The wall, which was glass but thrutex, turned out on being approached not to be a wall, it was something else, it was an opening or a doorway—and the doorway (through which he saw himself approaching) turned out to be something else, it was a wall. And what he had eaten not having agreed with him.

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The following two letters were recently received from fugitive draft resister Paul Jacob and from his support committee, the Paul Jacob Action Group. Paul was indicted in September 1982 for failure to register for the draft and has been the subject of an unsuccessful nation-wide search by the FBI for refusing to submit to arrest. We are pleased to report that at this date Paul Jacob is still “at-large.”

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Hanging above the entrance way to the Town Hall of Brno, the capital of Moravia, is a Dragon. The famous Dragon of Brno. The Monster, which stares down through glassy eyes upon all who enter this seat of political power, was brought back long ago from a strange and distant land.

Some might call this awe-inspiring beast a mere “crocodile.” But to the good citizens of Brno of an earlier age, it must have represented everything exotic and remote. In all probability, it was precisely such a creature that was called “Leviathan” in Biblical times.

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Hello. My name is Car. I am the new world citizen. My arrival in your neighbourhood brings with it a new kind of peace and prosperity.

You now find me, with minor variations in appearance, everywhere in the world. I am possible only because modern technology has been liberated from its historical restraints. The contemporary political and economic climate has fostered an exchange of technical information and an availability of natural resources that all previous national chauvinisms, physical barriers, and antiquated cultural taboos made impractical.

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A high school diploma. Whether it’s meaningful or not is your own trip, but I think you’ll have to agree that it’s often an essential ingredient in getting a job or going to college in this bizarre country we inhabit.

If you’re a dropout and have been putting aside the idea of going back because of the hassles involved then read on brothers and sisters, it’s a whole lot easier than you’d think.

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Writing serious, meaningful information that helps people is important, but after a while it bores me (and maybe you too) shitless. In response to this shitty boredom, it’s time for a collection of useless information, meaningless facts and general dung.

Telephone trips can be weird. For a starter try the usual tried and true recorded raps. The day we called Dial A Prayer 261–2440 the word God was mentioned 7 times during the 75 second religious message.

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I’ve got the clap, but because of night classes, I can’t get to the Open City Free Medical Clinic. Is there anywhere I can get treatment during the daytime?

—J.M.

City of Detroit to the rescue! The Detroit Social Hygiene Clinic is the place you’re looking for. The clinic is located in building 7 of the Herman Keifer Hospital, 8811 John Lodge, which is on the west side of the freeway just south of Clairmont.

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Many people are still unaware of what Open City is and what it does. Rather than the common misconception that it is a service organization for the alternate community, Open City is the alternate community!!!

The many services provided by Open City are available only because of the effort of members of our community and those people sympathetic to it.

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With a Lot of Help From His Friends

The object of this column will be twofold. We will act as a community action line where you don’t have to talk to a telephone answering machine and hope that your question or problem is the one in 10,000 they decide to work on. We also make you aware of all the free, inexpensive or unusual groovies available to you. Write us about your problems, questions or suggestions:

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a review of

Capital City: Gentrification and the Real Estate State by Samuel Stein, 2019, Verso

Newcomers: Gentrification and Its Discontents by Matthew L. Schuerman, 2019, University of Chicago Press

The city where I live, Seattle, once was affordable. Thirty years ago, it was possible to find a decent place to rent at a reasonable cost; and if you had a little money, you could get a mortgage for not much more than you were paying in rent.

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Why save Wall Street when the shit hits the fan and the economy plunges down the toilet? Let it drown in its own cesspool of toxic debt. Since money is symbolically a form of excrement, poetic justice demands that stockbrokers and bankers suffocate in their own shit.

The global capitalist economy has collapsed like a house of cards in a shitstorm. Yet, instead of celebrating the crash by dancing in the ruins, the wage slaves and their overseers are busily deciding how to shore it all up again.

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Editors’ Note: Bill Hutton’s tribute to the Eisenhower Years first appeared in this paper in the Jan. 15, 1968 issue and is reprinted now on the occasion of the General’s passing. This piece is part of a newly released book by Bill Hutton entitled “A History of America.” It is published by The Coach House Press in Toronto.

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The anarchist avoidance of the electoral process began over a hundred years ago as a bulwark against the seduction of reformism, social democracy, and the like, when the possibility of revolution seemed imaginable. The new world, which anarchists carried in their hearts, seemed realizable then, and argued that a march to the polls forestalled one to the barricades.

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a review of

The Electric Kool-Aid Acid Test by Tom Wolfe. Farrar, Straus, and Giroux. 1968. $5.95,

A special wildness with words, a special Taste for gory Under-Thirty-Decoding is all part of Tom Wolfe’s cool Aid to the “electro-pastel 400-horsepower energy and abundance of postwar American westernmost Reality.”

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Marshall McLuhan, better known as the Ombudsman of the Hipsters, hates the twentieth century.

Yet, in his cheerful 19^th 21^st century way he has patiently dissected the corpse (if haphazardly) and has shown us all a glimpse of the invisible Cancer of Media, without so much as flinching, without a single four-letter word. He obviously takes pride in his zealous but essentially dispassionate style—he has learned the scientist’s way of overwhelming; he has come up with his own version of E equals MC squared, and has categorically dared all onlookers to light the fuse.

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On December 7, the sudden arrest of six individuals rocked the activist community. All were accused of arsons claimed by the Earth Liberation Front (ELF) and/or Animal Liberation Front (ALF). Since then, the cases have taken many twists and turns: one of those arrested died in custody in an apparent suicide; six more activists were indicted (although three have not been apprehended); then, on January 20, a 65-count indictment against the remaining 11 arrestees blamed them for every major ELF action between 1996 and 2001, with a trial set for October 31. In February, two more activists were arrested and charged with some of the same arsons in Oregon.

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A review of The Emergence of a UAW Local, 1936–1939: A study in class and culture by Peter Friedlander

There are few books which provide an inside view of the early years of CIO organization, and even fewer of them are as rich as this study. For this reason alone it is well worth reading. Nevertheless, this book is seriously flawed. Yet it is in the flaws themselves that the most important questions arise, questions which must be posed, paused over, and answered. This review is intended to explore these areas, hopefully to stimulate discussion and debate.

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To honor Ursula K. LeGuin’s 80^th year on the planet, the FE’s next edition will explore the intersection of utopian, feminist, ecological, Taoist, and anti-authoritarian ideas in her prolific catalog of novels, poems, and essays.

The centerpiece of this issue will be a reprint of LeGuin’s 1989 essay “A Non-Euclidean View Of California As A Cold Place To Be” featuring a new introduction by John Clark. Clark writes: “LeGuin poses the question of whether our voyage to the elsewheres of the past or the nowheres of fiction can lead us to regain certain lost qualities of mind and abandoned sensibilities, so that we may be once again able to experience reality more intensely, and care about it more passionately, as it manifests itself precisely where we are.”

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a review of

Eat the Rich & Other Interesting Ideas: Selected Essays by Peter Werbe. Black & Red-Detroit, 2023

“To live outside the law, you must be honest.” B. Dylan, “Absolutely Sweet Marie”

Eat the Rich, a compilation of Peter Werbe’s journalism from the Fifth Estate, demonstrates in formidable detail how he has been getting our attention for the last five decades.

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A couple of us went downtown to Cobo Hall on a cold Friday night to check out the rally to “overturn the Reagan program” and to pass out a few copies of the last issue to the curious. The rally was being staged by the “All Peoples Congress” all-weekend convention, a left-liberal amalgam; everyone from Dykes Against Racism Everywhere to trade unionists, feminists, Democratic Party hacks looking for a constituency, and leninists looking for cannon fodder. The posters had been all over the city since summer, free bus rides were being offered every fifteen minutes or so from various welfare and unemployment offices, Gil Scott Heron was supposed to perform on Saturday night for a benefit—it had all the makings of a slick, combination carnival and revival meeting. The revival, that is, of the Popular Front to Fight “Reaganism,” led by liberal politicians and trade union bureaucrats and staffed by the minions of the leninist parties looking for a piece of the action. But we had a lot of extra papers lying around turning yellow, and we were starting work on another issue, so we decided to potlatch them out of here and hand them out to the folks who might have taken the free bus ride to go somewhere where it was warm, and to perhaps shake up the true believers with some blasts against civilization.

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Identify the three weird dudes pictured here and win two free tickets to see the San Francisco Mime Troupe. The winner will be drawn from correct entries received at the Fifth Estate office by October 10^th. Send entries to 1107 W. Warren, Detroit 48201. Be sure to include your name and address.

Fifth Estate staff members and former staff members not eligible.

In response to the need on the Left for theoretical discussion of Movement problems, a group of activists have founded a new magazinejournal called Leviathan.

Based primarily in New York and Los Angeles, the magazine will feature in its first issue discussions on the Wallace campaign and the working class, the relationship between corporations and the black community, the political economy of the university and German SDS.

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The author is editor-in-chief of Wayne University’s South End newspaper, former editor of the Inner City Voice and is an employee of the Detroit News.

Within the last four months, the management of the Detroit News has turned the News printing plant, located on the corner of Third and Lafayette, into a fortress.

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“Along with the country as a whole, the press has too long basked in a white world, looking out of it, if at all, with white men’s eyes and a white perspective.”

—Kerner Report, p. 389

Although the media’s coverage of the New Bethel incident has been at best confusing and at worst rampant with racial hysteria, it is not exceptional.

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When President Barack Obama announced on October 21 that the nine year U.S. invasion and occupation of Iraq was ending, it didn’t even make first spot on many news reports. Another imperial slaughter had ground to an end, with many liberal publications, such as The Nation, declaring it an “ignominious end to a shameful debacle.”

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Media hoopla commemorating the Quincentennial of Christopher Columbus’s first voyage to the New World, however sanitized, should have convinced anyone paying attention that the Spanish conquest was a disaster for both Native Americans and Africans.

Newspaper, magazine, and television celebrations of the 1492 “discovery” have paid scant attention, however, to its effects on Europeans themselves. The unspoken assumption is that the Americans’ and Africans’ loss must have been Europeans’ gain, that all that misery, destruction, and death in the New World must have benefited people in the Old.

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By last count, 1.5 million Iraqis, one million of them children under five, have died as a result of the U.S./U.N. sanctions, either through starvation or from lack of medicine for easily curable diseases. People are dying at a rate of about 11,000 a month, and some four million more are on the verge of starvation. In the seven years since the 1991 Gulf War’s intense and devastating bombing campaign, Iraq has become the international oil economy’s extermination camp.

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The power groupies at the Sun have recently changed their focus. After running out of tin horn politicians to do interviews with, the Ann Arbor transplant has taken to promoting the police—something even the Detroit News and Free Press have had problems doing lately. The Sunites would have us believe that the brutal, dope pushing DPD has become “A New Breed of Cop” as their mid-May, littered front page blared.

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The possibility of total destruction through nuclear war corresponds to a condition of ruin everywhere that makes such destruction attractive. And in the absence of opposition that contests everything about the existing social order, only the eruption of nuclear war can be expected to put an end to our present flattened lives.

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As long as we’re on the subject of endings--or rather, the rhetoric of “the end”--I’d like to intervene in the ongoing conversation about what Roger Farr recently referred to in these pages as “the end of an era,” i.e., the era of anarchism as a “communicative” project (“Anarchist Poetics,” Fifth Estate #373, Fall 2006).

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The crisis of the financial markets has taken on gargantuan proportions.

This spring saw the emergency sale of Bear Stearns, the fifth-largest financial institution on Wall Street, to JP Morgan for a paltry sum by “Master of the Universe” standards, including its flashy corporate headquarters and thousands of employees. Even this sale only came about because the US Federal Reserve agreed to cover the risks of exposure to creditors, pushing the financial costs onto US taxpayers. Despite this bailout and other interventions in the supposed “free market,” the financial system is still reeling. Credit liquidity has disappeared, causing shockwaves in student loans and other areas.

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From The Revolution Will Not Be Microwaved, Chelsea Green, 2006

Can any action avert humanity’s technological downfall? I try to remain hopeful and cast my lot with the possibility of change, but our situation and prospects both appear rather bleak. So many nightmare scenarios have been imagined for us. Science fiction anticipated genetic tinkering generations before the technology existed to actually do it. The dangers I have just briefly described are very real. Yet I find that every new revelation seems strangely familiar, as if we had been expecting it. Each sensational news report seems like it must have come from science fiction.

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When millions of people fill the streets of Europe to protest the nuclear arms race, as occurred the weekend of October 22, 1983, only those most pessimistic about our prospects will fail to sit up and take notice. Whatever their shortcomings, the massive demonstrations against the installation of cruise and Pershing II missiles on European soil are an indication that human beings have not completely succumbed to the death instinct. And despite the fact that the demonstrators have failed in their objective to halt the Euromissiles, it is arguable that they will continue undeterred, and in perhaps more creative ways, to oppose the nuclear state.

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I first encountered André Breton’s surrealist manifestoes as a young anarchist in the late ‘80s, and was attracted to the ideas within.

Surrealist poetry had a familiar resonance: I recognized how psychic automatism existed in my own experience. The quality of that expressive revelation reminded me of how long sentences, scenes and pictures would unfold before me, independent of conscious direction, as I was near sleep. Breton even mentions such hypnagogic phenomena in the first manifesto. But I had no idea anything like a surrealist movement still existed until I saw a review of Arsenal: Surrealist Subversions in a midwestern anarchist publication.

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