If Luis Bunuel had not directed “Belle de Jour,” it probably would have turned out to be nothing more than a case history from the pages of Krafft-Ebbing. On the very surface it merely tells the story of how a wealthy married woman sets out to solve her “abnormal” sexual hang-ups.
Since she is a masochist, who secretly yearns to be dominated, debased and sexually abused, her life of complete comfort leaves her cold. For relief, she frequently resorts to erotic daydreams, but finally the moment comes when she is compelled to act out her sexual fantasies. After a couple of false starts, she becomes a Belle de Jour, an afternoon prostitute, in a small middle-class brothel.
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